Gloria Naylor Criticism
-
Naylor, Gloria (Vol. 156)
- Introduction
- Principal Works
-
Criticism
- Black Sisterhood in Gloria Naylor's Novels
- Dream, Deferral, and Closure in The Women of Brewster Place
- Narrative Structure in Linden Hills
- Interview with Gloria Naylor
- At the Magic Diner
- The Fathomless Dream: Gloria Naylor's Use of the Descent Motif in The Women of Brewster Place
- Serving Lost Souls
- Eatery at the Edge of the World
- Healing the Wounds of Time
- Blues Symphony
- Review of Bailey's Cafe
- The Confluence of Food and Identity in Gloria Naylor's Linden Hills: ‘What We Eat Is Who We Is.’
- Stealing B(l)ack Voices: The Myth of the Black Matriarchy and The Women of Brewster Place
- Healers in Gloria Naylor's Fiction
- Toward a New Order: Shakespeare, Morrison, and Gloria Naylor's Mama Day
- Authority, Multivocality, and the New World Order in Gloria Naylor's Bailey's Cafe
- The Only Voice Is Your Own: Gloria Naylor's Revision of The Tempest.
- The Prismatic Past in Oral History and Mama Day
- Living with the Abyss in Gloria Naylor's Bailey's Cafe
- A Compassionate Portrait of Black Men
- Metaphor and Maternity in Mama Day
- Africana Womanist Revision in Gloria Naylor's Mama Day and Bailey's Cafe
- Understanding Gloria Naylor
- Review of The Men of Brewster Place
- Further Reading
- Naylor, Gloria (Vol. 28)