Chapters 6–7 Summary and Analysis
Chapter 6
The year is 2009, and Jonathan Alkaitis is in prison. His young cellmate, Hazelton, grates on his nerves and makes him feel old. Alkaitis notes that he was arrested in December of 2008 and arrived at FCI Florence Medium 1—the official name of his prison—six months later. FCI Florence Medium 1 is notable for being a more mild prison, and those locked up there are typically “thought to be too vulnerable for the general population.” Alkaitis fears the on-site hospital the most, since it is “the place where old men disappear.”
The court sentenced Alkaitis to 170 years in prison, and he has a difficult time conceptualizing that he will spend the rest of his life behind bars. In order to keep his days from becoming bland and featureless, he makes an effort to try new things, and he even gets a job sweeping the cafeteria. In some ways, prison is a sort of relief for Alkaitis, who remarks that “there is exquisite lightness in waking each morning with the knowledge that the worst has already happened.” He receives occasional visits from journalists and his biographer, Julie Freeman, which he finds flattering.
Prompted by a conversation with Freeman, Alkaitis begins pondering why he didn’t flee prior to his arrest. The truthful answer is that it simply never occurred to him, with the thought of arrest seeming too distant and improbable to warrant action. However, now that he is in prison, he begins envisioning different methods by which he might have avoided arrest and fantasizing about a “counterlife” in which he is still a free man. He decides that he would have liked to settle in Dubai, a place he always enjoyed visiting due to its beauty.
Alkaitis also laments that he has not been able to communicate with the people he once cared about, including Vincent and his daughter, Claire, who was responsible for calling the FBI and bringing Alkaitis to justice. Claire refuses to interact with her father, and Alkaitis bashfully asks Freeman if she has any idea where Vincent is. Freeman responds that Vincent is “keeping a low profile,” as even journalists and other interested parties have been unable to find her.
Chapter 7
Vincent boards the container ship Neptune Cumberland for the first time. The ship’s steward, Mendoza, and third mate, Geoffrey Bell, escort her to her cabin. Vincent remarks that she does not believe in love at first sight, but she does believe that people can immediately recognize those who will play a major role in their life. She feels this sense of recognition towards Geoffrey.
When Geoffrey asks Vincent why she decided to go to sea, she reflects on the events that led up to her joining the crew of the Neptune Cumberland. After learning that Alkaitis had been running a Ponzi scheme, Vincent took five thousand dollars in cash, a selection of jewelry, and two expensive gowns as collateral to start her new life. She also cut off all of her hair, bought reading glasses, and stopped wearing makeup. This rendered her nearly unrecognizable. A year and a half later, she was working two jobs and living in a small rental unit above someone’s garage.
The turning point for Vincent came when Mirella walked into the bar she was working at. After Alkaitis’s Ponzi scheme collapsed, Mirella’s boyfriend, Faisal, committed suicide. Although Vincent attempted to reach out on several occasions, she and Mirella had not spoken since Alkaitis’s arrest. Upon seeing her enter the bar, Vincent at first worried that Mirella would be confrontational, but she was left even more distressed...
(This entire section contains 1185 words.)
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when her former best friend did not even seem to recognize her. Vincent called Mirella by her name and attempted to get her attention, but Mirella still ignored her. Vincent reflects that both she and Mirella are actresses of a sort, able to blend into high society, and she sadly wonders if this was Mirella’s version of revenge.
Shaken by the encounter, Vincent walked off the job and decided to go to sea. Her mother once worked on a Coast Guard ship, and Vincent wanted to follow in her footsteps. She laments that it is difficult to imagine one’s parents in their youth, but she hopes that the decision will help her feel more connected to her mother.
After three months of working at sea, Vincent and Geoffrey have become romantically involved. Vincent has decided to spend her time off visiting Thailand, and Geoffrey asks her why she isn’t going home instead. Vincent remarks that she doesn’t really have a home on land anymore and claims that she has never been as happy as she is on the Neptune Cumberland.
Analysis
Chapters 6 and 7 represent a turning point in the novel in that both Alkaitis’s crimes and his narrative perspective are introduced. Readers are informed early on that he will die in prison, but both the details and extent of his crimes are left vague. Mandel continues to withhold a significant amount of information, but a rough outline of events starts to solidify: Alkaitis’s crimes were financial in nature and took place through his investment firm. The case was significant enough to warrant an outlandish 170 year prison sentence and to attract the attention of journalists and prospective biographers. Vincent has fled from the “kingdom of money” and wants nothing to do with Alkaitis; it seems that she was genuinely uninvolved in the crime.
The notion of the counterlife is also an important motif in the novel. Alkaitis is the only one to explicitly use the term, but the idea of parallel counterfactual universes and modes of illusory escapism show up in other characters’ stories as well. Paul’s heroin addiction, Vincent’s videography projects, and Walter’s decision to flee to the Hotel Caiette all represent ways of escaping from an undesirable reality. Vincent’s efforts to leave land and work on the Neptune Cumberland can also be read as a form of escape. Rather than continuing to live in fear of being recognized by someone that Alkaitis wronged, she separates from the world entirely.
Vincent’s declaration that she no longer feels as though she has a home on land speaks to the lasting impacts of her mother’s death and the subsequent fragmentation of her family. Vincent’s mother is described as a “restless person,” and much of Vincent’s life in the aftermath of her death has been spent in a similarly restless fashion. Life with Alkaitis offered her a temporary state of comfort and stability, but even that has been taken away from her. Vincent is determined to view dependence as a weakness, but her sadness in the wake of Mirella’s apparent rejection betrays how much she cares about others. However, relationships with the living have only brought her pain, so she instead looks to her mother’s stories about the Coast Guard for inspiration. In this sense, going to sea is paradoxically both a form of escapism and a desperate quest for human connection and meaning.