Giosuè Carducci

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Giosuè Carducci was born to Dr. Michele Carducci and Ildegonda Celli in Val di Castello, a small town near Viareggio, in Tuscany. Carducci’s father was greatly affected by the patriotism which would lead to the Risorgimento. An active Carbonaro (a member of a secret society seeking the unification of Italy), he was confined for a year in Volterra because of his participation in the Revolution of 1831. When Carducci was three, his family moved to Bolgheri, in the wild and desolate Maremma region south of Pisa. Maremma, with its Etruscan tombs, became the emotional landscape of Carducci’s later poetry, appearing in such poems as “Idillio maremmano” (“Maremma Idyll”) and “Traversando la Maremma Toscano” (“Crossing the Tuscan Maremma”). Carducci’s mother reared him on the tragedies of Vittorio Alfieri, a writer in the French neoclassical style who had sought to revive the national spirit of Italy. For his part, Carducci’s father attempted to impart to his son his own fervent enthusiasm for the writings of Manzoni, but Carducci, always an independent thinker, never acquired a taste for Manzoni. The boy was also taught Latin by his father and delighted in the works of Vergil and other ancient authors. He avidly read Roman history and anything dealing with the French Revolution. His first verse, satirical in nature, was written in 1846.

In 1848, the Carduccis were obliged to move when the attempt at independence failed. The threat of violence became too great for Carducci’s father, and the family relocated first to Laiatico, then to Florence. Carducci went to religious schools until 1852, and was influenced by his rhetoric teacher, Father Geremia Barsottini, who had translated into prose all the odes of Horace. The boy became further impassioned in the cause of Italian reunification and discovered the works of Ugo Foscolo and Giuseppe Mazzini. After completing his education, Carducci followed his wandering father to Celle on Mount Amiata but soon after won a scholarship to the Normal School of Pisa. In 1855, he published his first book, L’arpa del populo, an anthology, and a year later he received his doctoral degree and a certification for teaching. He took a position as a rhetoric teacher in a secondary school at the ginnasio in San Miniato al Tedesco.

With several friends, among them Giuseppe Chiarini, Carducci founded a literary society, Amici Pedanti, a group that was essentially anti-Romantic and anti-Catholic. They believed that Italy’s only hope for the future was in the revival of the classical, pagan spirit of the ancient world, which was emphasized as still existing in the Italian land and blood. Such opinions naturally provoked violent objections, both from Romantics and from those who favored the status quo. Carducci freely and ferociously responded in prose to the attacks many times. His first collection of poetry, Rime, appeared in July, 1857.

Although Carducci won a competition for the chair of Greek in a secondary school in Arezzo, the granducal government did not approve his appointment, so, in 1857, he returned to Florence and eked out a living by giving private lessons. In November, his depression became worse when his brother Dante killed himself for unknown reasons. A year later, Carducci’s father died, and Carducci became the head of his impoverished family. In 1858, he moved his mother and brother Walfredo into a very poor house in Florence, continuing his private lessons and editing the texts of the Bibliotechina Diamante of publisher Gaspare Barbèra. Together with Barbèra, he founded a short-lived periodical, Il poliziano. Despite his financial situation, Carducci married Elvira Menicucci in March, 1859.

With the union of Tuscany and Italy,...

(This entire section contains 1069 words.)

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Carducci’s fortunes turned for the better. First, he was offered the chair of Greek in the secondary school of Pistoia, where he remained for nearly a year; then, the minister of education, Terenzio Mamiani, appointed him to the chair of Italian Eloquence at the University of Bologna. Carducci was somewhat ambivalent toward his professorial role and its traditional philological orientation and fretted about its effect on his poetry, but the position allowed him to deepen his acquaintance with the classics and with the literature of other nations. His political views also changed. Under Victor Emmanuel II, Carducci had been an idealistic monarchist in support of the union of Italy, but after Garibaldi was wounded and captured by government troops at Aspromonte in 1862, Carducci allied himself with the democratic republicans and became more pronouncedly Jacobin and anti-Catholic, venting his intense feelings in aggressive poetry.

Carducci published his Giambi (iambics; later Giambi ed epodi), a collection of polemical poems, under the pseudonym “Enotrio Romano”; the poems reveal Carducci’s affinities with Victor Hugo and Heinrich Heine. “Inno a Satana” (“Hymn to Satan”) was in a similar vein and became one of his most famous poems, though his work suffered in quality as he became more vituperative. By 1872, however, he had begun to control his polemical instincts, and some of his finest poems, later collected in The New Lyrics, were written in the 1870’s. Barbarian Odes, begun in 1873, became his most influential work.

Indeed, following the publication of the collection Barbarian Odes, Carducci became an object of adulation for younger poets throughout Italy. Periodicals such as Fanfulla della Domenica, Cronaca bizantina, and Domenica letteraria helped spread his fame. New Barbarian Odes solidified his reputation, and he assumed the role of national poet.

In part, Carducci’s position as a leader of young Italian poets was the result of the efforts of Angelo Sommaruga, who had founded Cronaca bizantina to encourage native Italian writing and gathered newcomers such as Marradi, Matilde Serao, Edoardo Scarfoglio, Guido Magnoni, and Gabriele D’Annunzio for its pages. Sommaruga sought out Carducci to give credibility to the group, and Sommaruga’s encouragement spurred Carducci to intense activity in verse and prose. During this period, Carducci’s political and philosophical views shifted; he resigned himself to the monarchy and acquired a more religious attitude, with some appreciation of the Church’s mission, though he remained fundamentally anticlerical.

The last two decades of Carducci’s life were filled with misery. In 1885, he became ill. Five years later he was made a senator, but in 1899, a stroke paralyzed his hand and nearly deprived him of speech. He continued working, despite the setbacks, publishing his last volume of poetry in 1899 and collecting his works from 1850 to 1900. In 1904, he resigned from teaching. He received the Nobel Prize for Literature the year before he died.

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