George Washington Cable Long Fiction Analysis
Although George Washington Cable’s reputation rests primarily on one collection of short stories and two pieces of longer fiction, his total output includes twenty-two books. For an understanding of Cable as a writer of fiction, one should first consider his nonfiction and his reasons for writing it. Cable’s interest in history is shown in two books centered on Creole culture, The Creoles of Louisiana, a collection of history articles, and Strange True Stories of Louisiana, a collection of factual stories about the Creoles. On a juvenile level, The Cable Story Book is a combination of factual and fictional material that emphasizes the same Creole subjects as his fiction. The Silent South and The Negro Question, his best-known works of nonfiction, are collections of essays on controversial southern problems, notably the problem of racial discrimination. Characteristic of Cable’s prose is a moral posture and a humanitarian zeal, openly stated in his nonfiction and imaginatively expressed in the most important of his fiction. He worked for the reform of people and institutions and for a reversal in racial attitudes.
Cable’s first novel, The Grandissimes, is his unqualified masterpiece. Louis D. Rubin, Jr., has called it the first “modern” southern novel, dealing realistically as it does with the role of the black in American society. Added to the rich portrayal of aristocratic Creole settings and family problems, a panoramic array of characters of Native American, black, and mixed bloods vivify problems of social castes and racial discrimination in Louisiana in 1803, the year of the Louisiana Purchase. Using the historical actuality of racially tangled bloodlines as the theme for dramatic episodes, Cable emphasizes the ramifications of black-white relationships. The free quadroon caste, for example, had its special role in southern society, as shown historically in the New Orleans “quadroon balls.” Beautiful young women of one-quarter black blood (quadroons) or, perhaps, one-eighth (octoroons) danced at these balls with white men, were chosen by them as mistresses, and were set up in separate households in the city.
Two principal quadroons interact in The Grandissimes. A male quadroon is the identically named half brother of the aristocratic Creole Honoré Grandissime. The darker Honoré Grandissime flouts the law by refusing to inscribe the letters “f.m.c.” (free man of color) after his name. Educated in Paris along with his half brother and heir to most of their deceased father’s wealth, the quadroon nevertheless remains unrecognized as a legitimate member of the Grandissime family. The Creoles’ acceptance of an American Indian chieftain as ancestor is introduced to point up their unwonted prejudice against the taint of black blood. The main female quadroon is Palmyre Philosophe, a freed slave who bears a hopeless love for the all-white Honoré Grandissime and, in turn, is loved by his quadroon half brother. To illustrate the injustices perpetrated against blacks, Cable inserts the episode of the black Bras-Coupé, a historical figure used earlier in Cable’s unpublished short story “Bibi.” Palmyre hates Agricola Fuselier, her former owner and uncle to Honoré Grandissime, who forced her unconsummated marriage to Bras-Coupé.
The character who serves throughout the novel as spokesman for Cable is Joseph Frowenfeld, a German American newcomer to New Orleans, who observes, participates in, and comments critically on the action. Honoré Grandissime, the leading male character, is a Creole who recognizes the faults of his society and works with moderation to correct them. He provides a liberal Creole viewpoint, supplementary to the rigid moral judgment of Frowenfeld. Agricola Fuselier, in direct contrast to Frowenfeld, represents the proud old Creoles who insist on purity of race.
Action antecedent to the yearlong events of the novel goes back to 1673, the year of the birth of the American Indian girl whose choice of a De Grapion suitor began a feud between two Creole families, the De Grapions and the Grandissimes. Preceding the main plot by eight years comes the tale of Bras-Coupé. Otherwise, the...
(The entire section is 1741 words.)