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What is the central theme of "A Hanging" by George Orwell?

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The central theme/concern of "A Hanging" by George Orwell is Orwell's position that capital punishment violates nature and is an atrocity.

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In this disturbing story, Orwell explores and accentuates the trauma suffered by those who participate in and witness the taking of a human life. The mood is somber and has a surreal quality about it. The almost matter-of-fact narrative indicates that the speaker wishes not to become too intimately or emotionally involved in the situation but does, however, finds himself in a position where he, unfortunately, seems to have no choice because it is his duty.

The seemingly exaggerated precautions taken to lead the condemned man to his execution emphasize the unnatural nature of the incident. The condemned man is frail, small, and offers no resistance but is nevertheless heavily guarded and bound. It appears that he has accepted his fate and is calm. In contrast, his would-be executioners are anxious and unsettled. Their discomfort is a further indication that they are not happy about committing a distasteful and abnormal act.     

The prisoner's actions make the narrator realize the enormous brevity of life and brings into sharp focus our shared humanity. He insightfully grasps the fact that what is about to occur is a wasteful exercise. The disconcerting arrival of the dog and its playful acts deliberately contrasts the upsetting seriousness of an impending death with the exuberance of life. Its appearance unnerves the condemned man's captors because they are, at this moment, occupied with the business of death and do not want to be reminded of what life has to offer.

After the execution, the officers and others try to push the incident out of their minds by making jokes and laughing about previous executions. Their attempts are, however, a miserable failure. The tragic event of that day hangs on them like a heavy cloak, and even the superintendent's invitation that they should all have a drink does not lighten the mood. The repeated (almost hysterical) laughter of the narrator and the others illustrates how deeply traumatized they all are for having been party to an abomination.

In this story, Orwell adequately expresses his disdain for what he believes is a violation of all that is natural. Deliberately killing another human being for whatever reason is an atrocity and a crime against nature.

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In "A Hanging," Orwell is chiefly concerned with capital punishment. Specifically, Orwell demonstrates his opposition to the death penalty through recalling this incident from his experience as a police officer in Burma.

To do this, Orwell uses imagery to create a somber mood, which is, in turn, symbolic of the act which is about to take place. In the opening lines, for example, Orwell notes how the light outside the cells is like "yellow tinfoil," and he compares death row to "animal cages."

As the story progresses, Orwell watches as the condemned man steps aside to avoid a puddle on the ground. For Orwell, this is a moment of great significance because it makes him realize that in a few moments, this man, who is now so full of life, will be erased from the world:

He and we were a party of men walking together, seeing, hearing, feeling, understanding the same world; and in two minutes, with a sudden snap, one of us would be gone—one mind less, one world less. 

For Orwell, this essay gives him an opportunity to argue that executions are a meaningless waste of life.

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George Orwell's non-fiction text "A Hanging" provides his first hand account of the hanging of a Hindu man. The man, on the way to the gallows, sidesteps a puddle in order to insure that his feet do not get wet. Orwell found this curious given the man's fate (death). 

The text's theme revolves around the inhumane nature of the taking of a human life and one's recognition of the insignificant things in life. While the man may not truly consider the unnecessary sidestep, this action spoke loudly to Orwell. Compounded by a view into his mind, "I had never realized what it means to destroy a healthy, conscious man," Orwell's dialogue mirrors the sickening feeling which came over him during the experience. The opening of the text parallels Orwell's feelings of disgust with his heavy and emotion laden word choice: sodden, sickly, condemned, bare, and silent. 

Orwell, in recollecting his experience, does prove to posses a true poetically ironic "voice" when he includes the actions of the stray dog (although we as readers can only believe that the dog actually existed) as a doppelganger of himself. Although he seemed to have wished to speak out against the atrocity, being a policeman did not allow him the luxury. The dog, then, allows him the necessary interruption to the action to force readers to consider the crime against nature (the murder of the man). 

Orwell's theme, or concern, is that the life of any healthy man should never be taken from him (murder is a crime against nature). The use of the dog and the rainy day supports Orwell's stand that the hanging "upsets" nature. 

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What is the thesis of "A Hanging" by George Orwell?

George Orwell's thesis in "A Hanging" can be put in his own words:

I saw the mystery, the unspeakable wrongness, of cutting a life short when it is in full tide.

It can also be paraphrased slightly more succinctly and precisely:

Capital punishment is an evil and grisly business.

Or somewhat less succinctly but more comprehensively:

Capital punishment is an evil and grisly business and everyone involved in it knows and feels its wrongness.

Orwell juxtaposes the squalid physical details of captivity and the preparations for the execution with his own sudden realization, occasioned by the condemned man stepping aside to avoid a puddle, of the wickedness of permanently destroying the consciousness of a healthy man, leaving, in the space of a few minutes "one mind less, one world less."

The way in which those involved in the hanging feel the wrongness of their task and the falseness of their position is emphasized throughout the essay by the uneasy manner in which they act and communicate, then by their relief and laughter when the man is dead.

I found that I was laughing quite loudly. Everyone was laughing. Even the superintendent grinned in a tolerant way. "You'd better all come out and have a drink," he said quite genially. "I've got a bottle of whisky in the car. We could do with it."

Orwell's focus on the shared laughter of relief at the end of the essay demonstrates the guilt and complicity of all the men who have taken part in the hanging. By mentioning that he was laughing along with the rest of them, having just told us what he has been thinking, Orwell invites us to speculate on the true state of mind of his laughing accomplices. They seem to be happy to distract themselves with anything: drink or gallows humor or false camaraderie, from reflecting on what they have just done.

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What is the thesis of "A Hanging" by George Orwell?

To work out the thesis of "A Hanging," we need to be clear about what Orwell is telling us in this story. For example, looking at the text, it is clear that "A Hanging" deals with Orwell's views about capital punishment. Specifically, he takes an anti-capital-punishment stance. This is shown very clearly in his thoughts about the prisoner:

His eyes saw the yellow gravel and the grey walls, and his brain still remembered, foresaw, reasoned—even about puddles. He and we were a party of men walking together, seeing, hearing, feeling, understanding the same world; and in two minutes, with a sudden snap, one of us would be gone—one mind less, one world less.

In other words, Orwell is struck by the humanity of this prisoner. Although this man has done wrong, he is physically, emotionally, and biologically identical to the police officers around him. He is a living, breathing person about to be cut down in the prime of his life.

So what we learn from "A Hanging" is that, based on this experience in Burma, Orwell disagrees with capital punishment because it dehumanizes a person and senselessly cuts short a life.

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What is the thesis of "A Hanging" by George Orwell?

The thesis of "A Hanging" by Orwell is that people dismiss the deaths of others too casually. The story is about a hanging that Orwell witnessed when he served as a member of the Indian Imperial Police in Burma, when it was controlled by the British. The full humanity of the man who is to be executed comes to Orwell when Orwell sees the prisoner step aside to avoid a puddle. When the man cries out for his god, Ram, when he is about to die, Orwell senses the collective urge just to end the man's life. This desire arises from the crowd watching. Orwell says:

"We looked at the lashed, hooded man on the drop, and listened to his cries — each cry another second of life; the same thought was in all our minds: oh, kill him quickly, get it over, stop that abominable noise!"

After the man is executed, the crowd reacts with relief. Several people laugh--at what, no one is certain. The head jailer speaks with distaste of prisoners who make the execution too difficult, and the prisoners sit down to their breakfast with cheer. Orwell senses that the crowd has too easily dismissed the idea that the execution has robbed a man of his life and that they are too willing to move quickly on from the brutality of what they have done. They regard the man's life with too little respect.

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What is the thesis of "A Hanging" by George Orwell?

The central thesis of this account of Orwell's witnessing a hanging in Burma whilst he was a colonial officer there is that capital punishment is profoundly wrong. Orwell describes the horror he feels when he sees a prisoner being led to the gallows and how he realises, when he witnesses this prisoner stepping around a puddle, that he is a human being just like everybody else. Note how he describes this epiphany:

It is curious, but till that moment I had never realized what it means to destroy a healthy, conscious man. When I saw the prisoner step aside to avoid the puddle, I saw the mystery, the unspeakable wrongness, of cutting a life short when it is in full tide.

He reflects on how in two minutes, with the death of this prisoner, this would mean "one mind less, one world less." The wrongness of capital punishment is shown by the awkwardness of the men following the hanging and the way they try and distract themselves in poor humour and drink from the reality of what they have done. In this essay, the image of the hanging man, left suspended in air, without being able to hit the ground, becomes a powerful symbol of how wrong cutting off somebody's life in mid-flow is.

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