William F. Buckley, Jr.
What is there to say about Doonesbury, or even about the comic-strip mode?… There is, for instance, the nagging mechanical—and therefore artistic—problem of reintroducing the reader to the synoptic point at which he was dropped the day before. In a collection this is more aggravating than if twenty-four hours have gone by since arriving at the point where the artist left you, and you need a little nudge. Trudeau handles this very deftly, usually by introducing into the panel a tilt of some sort that takes the reader slightly beyond where he was left yesterday, so that he is relieved of that awful sensation of turning wheels without moving forward.
The other problem is the presumptive...
(The entire section is 846 words.)