What happens in The Garden Party: And Other Stories?
In "The Garden Party," Laura's mother throws a party. Hearing that their neighbor has died, Laura thinks the party should be cancelled so that the grieving family won't hear the music. At the end of the story, Laura brings the dead man's family leftovers.
Laura watches hired men erect the tent for her mother's party. She's shy around them, but delights in the beautiful arrangements her mother has made.
Upon hearing that their neighbor has died, Laura insists that they call off the party out of respect, but upon looking in the mirror and seeing her own gorgeous, gold embroidered hat, she agrees that the party should proceed as scheduled.
- At the end of the party, Laura takes a basketful of leftovers to the neighbors. She's taken to see the dead body and has a moment of epiphany in which she sees death as merely a peaceful sleep.
“The Garden Party” may be Mansfield’s most famous story. It is exceptional and typical at the same time. Laura, a vibrant young woman, is the central character. The story also depicts a worldly older woman (Laura’s mother), a sophisticated social gathering (the party itself), some moderately dense males, and a disturbing event to which they all react differently. The action of the story, more conventionally straightforward than that of “At the Bay,” is also typical of Mansfield. It leads both Laura and the reader to an epiphany—an enigmatic moment of revelation that, in this story, is comic and overwhelming at the same time.
Unlike “At the Bay,” where Mansfield took readers into many minds, readers live through this story in only one. Laura appears to be about sixteen, a young woman on the edge of adulthood. Not only do readers hear her talk, they listen in on her thoughts. She is a bit afraid of the men who put up the tent for the party but enjoys hearing their good-natured banter. Readers sense her joy at being alive when she reacts ecstatically to the spots of light the sun makes on an inkpot. Mansfield brings the reader close to Laura in another typical way. Even the opening description of the day and the flowers seems to be in a character’s mind, not the storyteller’s. To many readers, that mind soon becomes Laura’s.
The opening scenes all suggest a wealthy, normal, and happy family. Laura appears to supervise the tent, but is not allowed to decide where it should be placed. Her sisters strike sophisticated poses; one sings a gruesome song and flashes a big smile. Laura’s mother protests that she will leave the arrangements to her children but organizes the party anyway, providing expensive flowers, a band, and dainty sandwiches. As usual, Mansfield suggests moments of happiness with telling details and evocative descriptions.
Then comes the news that turns Laura’s day around: A man has been killed in an accident, a man who lived in a lower-class cottage almost next to their home. Laura’s instinctive reaction is that the party must be stopped, since the man’s family might hear the band playing. Her sisters and her mother argue with her. She does not change her mind until she sees herself in a mirror—a lovely girl with a spectacular black hat trimmed with gold daisies—and until her brother Laurie compliments her. The party goes ahead, a typically exciting, shallow Mansfield party. Guests compliment Laura, especially on her hat. When the party is over, her mother tries to make amends by filling a basket with party leftovers and sending Laura with it to the dead man’s cottage.
The journey at dusk is frightening. Laura walks into a different world, a lower-class world of grieving, ill-dressed, unsophisticated people. At the dead man’s house, she gives the widow her basket. She is led against her wishes to the bedroom where the corpse has been laid out. Laura, however, is not horrified, but sees the corpse as merely sleeping. She sees death as something calm and even beautiful, something far removed from her silly...
(The entire section is 2,112 words.)