Themes

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Last Updated on June 19, 2020, by eNotes Editorial. Word Count: 457

Friday raises the theme of identity and what it means to be human. Completely isolated on a deserted island, Robinson Crusoe has to come to grips with who he is in a way that few people do. He is stripped of all the props society offers to provide people an identity and a sense of place and belonging. Tournier also explores what constitutes a utopia and what nature is.

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Identity

Crusoe's identity crisis goes through several stages. At first, he loses all sense of self, stripping naked, letting his hair grow long, and wallowing in the mire of the island's swamps. He comes close to losing his humanity and simply becoming a mad, wild creature.

In his second phase, he takes hold of himself, and keeps his madness at bay by, like Defoe's Crusoe, dominating the island in a rigidly structured way. He invents a "clock" that measures time through drips of water, cultivates grain crops, domesticates goats, and builds a house he calls the Residence. In the second phase, in an almost manic desire to dominate, he establishes a rice paddy, writes laws full of punishments should he transgress, and establishes a military barricade after he sees cannibals visiting the island.

In a third phase, he climbs into a small crevice deep in a cave to get rid of all light, and in that place faces life and death, is tempted by death, and yet chooses life, emerging reborn. At this point he attempts oneness with the island, primarily through having sex with it.

The fourth phase occurs when he meets Friday, first dominating him as his master, and then coming fully into his own in a peaceful oneness with both the island and Friday.

Tournier explores what it is to be human without other humans to define us, and argues that we cannot experience our full humanity without other people. Robinson cannot become his best and fullest self until he finds companionship with Friday and—most importantly—until he can respect Friday as equal, a fellow human who has something to teach him and not simply a living object he can use.

Utopic visions

The novel also explores what constitutes a utopia and rejects the idea that it comes from dominating nature and creating a "little Europe" in another place. That kind of society is restrictive and punitive. Crusoe cannot create a utopia through either sex with the island or dominating Friday. An utopic space is cleared for Crusoe when Friday accidentally destroys his rice paddy and then accidentally blows up much of what Crusoe has built. It is then, unencumbered by meaningless possessions, that Crusoe can enter into a harmonious relationship with the island and Friday. Utopia occurs, Tournier says, when we transcend ideas of domination.

Themes and Meanings

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Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 365

Important keys to interpretation lie in the novel’s full title: in French, Vendredi: Ou, Les Limbes du Pacifique; in translation, Friday: Or, The Other Island. Both versions reflect an intent to shift Friday’s status from a secondary to primary one. The French subtitle means “the limbo of the Pacific,” but the episode in which Robinson fornicates with quillam flowers suggests a comparison of limbes to lombes (loins). “This Island” is the one that Robinson sees with civilized eyes, as mother, bride, or object to be domesticated."The Other Island” is the one indifferent to human projections of language, religion, and culture. Interesting readings of the title are “Friday: Or, The Loins of the Pacific” and “Friday: Or, The Other Robinson.”

Within this framework, the themes of time, provincialism, and subversion are essential. Robinson and Friday were divided by a time barrier. The Robinson of York had only the past (the baggage of family, Bible, and Poor Richard’s Almanack) and the future (the stubborn goal-orientedness of technology). Friday has no past or future but teaches Robinson to live in the present. To arrive at the present, Robinson must age backward. His personal transformation is a sort of Pilgrim’s Regress.

Provincialism is denounced in the novel on the levels of country (isolationism), race (xenophobia), and self (solipsism). Purity—not the morally upright abstinence but the crippling absence of otherness—is indeed a corrosive milieu. Purity is dirty. Thus, when Robinson soils himself in the mire, or Friday sullies Robinson’s mandrake grove, they perform positive acts of purification by inversion.

Ultimately, then, the novel is quite subversive. Friday does not merely undermine Robinson’s clockwork order; he literally blows it to kingdom come. Robinson is a man who takes a permanent vacation from his wife, family, and country, and enjoys it. He worships the sun, acquires blond hair and a nice tan, grows younger with the years, has no briefcase or bank account, and has gained a son without investing any biological resources in the maintenance of the species. One need only imagine what would happen if Robinson were to be held up in Sunday school as an example of a model citizen.

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