Frank Norris

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Frank Norris was an influential American writer whose short life was marked by rich experiences in diverse fields. Born in 1870, Norris spent his formative years in Chicago before relocating to California, a move that would shape much of his future work. His journey from aspiring artist to renowned novelist encapsulates a drive for creative expression that was evident throughout his life.

Early Life and Family Background

Frank Norris was born to Gertrude Doggett and Benjamin Franklin Norris, a prosperous businessman in the jewelry trade. Spending his early childhood in bustling Chicago, Norris's life took a significant turn at fourteen when his family moved to California. Initially settling in Oakland, they later moved to a spacious home on Sacramento Street in San Francisco. Here, his father found fortune in real estate, constructing affordable housing for working-class families, a venture that would later inspire Norris's debut novel.

San Francisco and Its Influence

In San Francisco, Norris was surrounded by a vibrant cityscape that left a lasting impression on his imagination. The family home, located near the lively Van Ness Avenue and the bustling commercial area of Polk Street, provided a wealth of sensory experiences. The parades, pageantry, and eclectic mix of shops, complete with a whimsical dental parlor sign, became the vivid local color that enriched his writing later on.

Education and Artistic Aspirations

In 1885, Norris began his formal education at Belmont Academy, but his academic journey was fraught with challenges. His difficulties with mathematics and a broken arm from a football injury led to a relatively brief tenure at the academy. During his recovery at home, Norris decided to pursue a career as an artist, which prompted his enrollment in the San Francisco Art Association School. His promising performance there encouraged his father to send him to prestigious art schools in Paris.

The Parisian Experience

While in Paris, Norris delved into the principles of art, although painting did not become his forte. The discipline and foundation he acquired would later be instrumental in his writing career. However, suspecting that his son was not dedicating enough time to painting, Benjamin Norris recalled him to the United States in 1889. It was during this period that Frank redirected his focus toward writing, armed with a robust creative foundation forged in Paris.

University Years and Literary Beginnings

Norris entered the University of California, Berkeley, in 1890 with a strong resolve to become a writer. However, his approach clashed with the English Department’s teachings, and his performance in mathematics deteriorated. Embracing a more socially active lifestyle, he joined the Phi Gamma Delta fraternity, where he channeled his energy into pranks rather than academics.

While his antics at Berkeley were gaining notoriety, his personal life was unraveling. His father, Benjamin, embarked on a journey to Europe and returned with a new romantic interest. This led to a divorce from Gertrude and a subsequent move to Chicago, severing ties with Frank, who would never see his father again.

Harvard and Early Writing Success

Facing academic setbacks, Norris left Berkeley without a degree in 1894. He then turned to Harvard as a place to hone his writing skills, enrolling as a special student in English and French courses. Under the mentorship of Professor Lewis Gates, Norris began crafting his first novels, "Vandover and the Brute" and "McTeague."

Journalism and South African Adventure

After a year at Harvard, Norris returned to San Francisco and took up a position with the Chronicle as a special correspondent. Emboldened by the opportunity, he persuaded the paper to dispatch him to South Africa to cover the nascent Boer War. Despite his...

(This entire section contains 868 words.)

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enthusiasm, his reports were unremarkable, and he contracted a tropical fever that would plague him in later years.

Writing and Editorial Work

Upon his return, Norris joined the staff of the San Francisco Wave under John O’Hara Cosgrave's editorship. As assistant editor, he wrote short stories, critiques, and feature articles for the publication. Yet, his restlessness led to intermittent breaks from work, including trips to finish his novels "McTeague" and "Moran of the Lady Letty." The latter caught the attention of S. S. McClure, who invited him to join Doubleday as a reader.

Time with Doubleday and Further Novels

Dissatisfied with his modest earnings at Doubleday, Norris sought new opportunities during the Spanish-American War, convincing McClure to send him to Cuba. There, he met Stephen Crane but was soon struck by another fever attack, forcing him back to New York, where his war dispatches remained unpublished.

Eventually, Norris left McClure in 1899 and returned to Doubleday, Page, where he continued penning influential works like "Blix," "A Man’s Woman," and began "The Octopus." During this period, he also advocated for the publication of Theodore Dreiser’s "Sister Carrie," demonstrating his commitment to supporting fellow authors.

Final Years and Legacy

With the royalties from his novels providing financial stability, Norris planned to settle in California and purchase a ranch. However, a planned trip to the tropics was halted by his wife Jeannette’s emergency surgery. Soon after, Norris fell seriously ill himself with peritonitis, exacerbated by previous fevers. He passed away at the young age of thirty-two on October 25, 1902, leaving behind a legacy of literary innovation and an indelible impact on American literature.

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