Set in the Berkshire district of England during World War I, The Fox, like many of D. H. Lawrence’s other major works, treats the psychological relationships of three protagonists in a triangle mating-complex of love and hatred. Without the help of any male laborers, Nellie March and Jill Banford struggle to maintain a marginal livelihood at the Bailey Farm. A fox has raged through the poultry, and although the women—particularly the more nearly masculine Nellie—have tried to shoot the intruder, he seems always to elude traps or gunshot. Once Nellie confronts the fox, but his “demon” eyes hold her spellbound; she cannot fire her rifle. A symbol of masculine energy, the fox appears in Nellie’s nightmares as a dominating (and sexually threatening) force that both attracts and repels her. At this point of deadlock, Henry Grenfel, a soldier on leave who enlisted in the military forces in Canada, returns to the farm, which was once owned by his grandfather. Although he has no legal claim to this property, the women feel an obligation to take him in. Both are charmed by his boyish vigor, but Nellie, in particular, identifies him with the fox. In a troubled and symbolic dream, she psychologically submits to the mesmerizing willpower of the beast, to his sadistic sexual domination over her repressed instincts.
Henry’s sly presence on the farm upsets the affectionate harmony that previously existed between the two women. Motivated to court...
(The entire section is 430 words.)