Literary Techniques

(Beacham's Encyclopedia of Popular Fiction)

Grisham shifts narrative focus back-and-forth between Mitch and the firm. While not completely giving away the firm's background, Grisham...

(The entire section is 298 words.)

Ideas for Group Discussions

(Beacham's Encyclopedia of Popular Fiction)

While an obvious context for discussing the novel is fiction about the law, a less obvious but equally interesting context is the treatment...

(The entire section is 307 words.)

Social Concerns

(Beacham's Encyclopedia of Popular Fiction)

As his first success and as a title with over eleven million copies in print, Grisham's The Firm merits special consideration. A good...

(The entire section is 799 words.)


(Masterpieces of American Fiction)

Grisham, John. “The Rise of the Legal Thriller: Why Lawyers Are Throwing the Books at Us.” The New York Times Book Review 97 (October 18, 1992): 33. Grisham analyzes the rise of the “lawyer novel,” a phenomenon to which he has contributed as much as any author. He discusses the abiding fascination with the law of the reading public and how lawyers have turned to fiction in order to satisfy this interest. In addition to his own work, he considers that of other lawyers turned writers and their varying approaches.

Klinkenborg, Verlyn. “Law’s Labors Lost.” New Republic 210 (March 14, 1994): 32-38. Klinkenborg reviews five books that deal with legal themes. In the latter part of the essay, Klinkenborg focuses on The Firm, citing it as a “notorious” example of portraying the culture of lawyers as opposed to the “nature of the law.”

Landner, M. “An Overnight Success—After Six Years.” Business Week (April 19, 1992): 52. That a magazine such as Business Week, aimed at the commercial community, should include an article on an adventure novelist indicates clearly the extent to which Grisham has been a financial success and how that success has drawn the attention of people other than his readers. Landner traces Grisham’s remarkable career as a writer who struggled for years to write a successful book.

Matthews, Thomas. “Book ’em.” Newsweek 121 (March 15, 1993): 78-81. A review of Grisham’s fourth novel. The Client (1993), which, like the two before it, The Firm and The Pelican Brief, immediately appeared on best-seller lists. Matthews considers this work and those that preceded it in relation to the genre of the “lawyer novel.” He also analyzes the phenomenal success that made Grisham one of the most widely read American authors in the space of only three years.

Pringle, Mary Beth. John Grisham: A Critical Companion. Westport: Greenwood Press, 1997. Pringle explains the genre of the legal thriller, tracing its evolution from the thriller tradition and detective fiction, as well as the romance, gothic, and crime novels. Following a biographical chapter on Grisham, she devotes a chapter to each of his novels, including a penetrating study on The Firm.

Literary Precedents

(Beacham's Encyclopedia of Popular Fiction)

Doubleday's design for the novel's dust jacket, a man in a suit suspended by guide-wires against a marblelike background, recalls the symbol...

(The entire section is 113 words.)

Related Titles

(Beacham's Encyclopedia of Popular Fiction)

As different as this novel is from A Time to Kill, a potentially fruitful discussion question is what does unite the two books, how...

(The entire section is 67 words.)


(Beacham's Encyclopedia of Popular Fiction)

Paramount's 1993 film version of The Firm, directed by Sydney Pollock and scripted by David Rabe, Robert Towne, and David Rayfiel, met...

(The entire section is 321 words.)