Summary
In the midst of escalating arson attacks plaguing his city, businessman Gottlieb Biedermann finds himself entangled in a precarious situation. At home, his attempt to maintain a facade of normalcy clashes with the reality of his own complacency as he unwittingly harbors potential firebugs under his roof. As the story unfolds, Biedermann's struggle to reconcile his moral stance with his actions culminates in a disastrous and ironic conclusion.
Encounters at Home
While on his way home, Gottlieb Biedermann lights a cigar and observes the Chorus of Firemen, who are vigilantly on their watch. Once home, he settles into his living room with a newspaper, expressing his vehement disdain for the arsonists wreaking havoc in his city, declaring that such criminals deserve to be hanged. His evening is interrupted by Anna, his servant, who announces the presence of a peddler wishing to see him. Biedermann instructs her to dismiss the man, only for the intruder to enter uninvited, introducing himself as Sepp Schmitz, a circus wrestler. Biedermann, taken aback by Schmitz's audacity, offers him bread, which Schmitz skillfully expands into a more substantial meal by employing flattery and subtle demands. Their interaction is disrupted by the arrival of Herr Knechtling, a former employee fired by Biedermann, who seeks an audience. Outraged by the visit, Biedermann orders Anna to send Knechtling away. He then leads Sepp to the attic and offers him lodging on the condition that he assures Biedermann he is not one of the arsonist firebugs. Sepp's ambiguous laughter seems to satisfy Biedermann, and he allows Schmitz to stay.
Unsettling Guests
The following morning, Biedermann's wife, Babette, wakes after a restless night, plagued by the fear that a firebug might be hiding in their attic. Biedermann introduces her to Schmitz before departing for work, leaving Babette determined to oust the wrestler. However, her attempt to find a tactful way to remove him is thwarted as Sepp manipulates her compassion, preparing her to welcome another suspicious guest, Willi Eisenring, an unemployed waiter. Despite Biedermann's resolve to eject both men, he finds himself in the attic, where Schmitz and Eisenring have just finished stacking large drums. His immediate anger dissipates as Willi admonishes Sepp for his lack of courtesy, placating Biedermann's emotions. Alarm rises in Biedermann upon noticing the drum labels, which unmistakably identify their contents as gasoline. Though he threatens to involve the police, a policeman arrives with news that Herr Knechtling had committed suicide the previous night. When questioned about the drums, Biedermann claims they contain Hormotone, a hair tonic manufactured by his firm. Attempting to justify his actions to the Chorus of Firemen, Biedermann argues the necessity of trusting people, explaining to Babette that even if the men are firebugs, treating them amicably might be the safest approach. He suggests they join the family for dinner.
Dark Revelations
Later, Eisenring straightforwardly reveals his intentions to Biedermann, suggesting that Sepp is out procuring sawdust to spread a fire. Eisenring also discloses his past imprisonment and his quest for a detonator cap. Biedermann dismisses these revelations as jokes, with Eisenring affirming that humor provides a good disguise, though the truth works even better. Eisenring carefully recommends that Biedermann extinguish his cigar while aiding in wiring the detonator and fuse. Unperturbed, Biedermann extends an invitation to Eisenring and Schmitz for dinner. After his departure, Eisenring enlists the help of a professor hiding among the gasoline drums to stand guard while he and Sepp attend the dinner. The professor attempts to warn Babette about the arsonists, but she, convinced by Biedermann's notion of maintaining peace with the men, takes no action.
The Ill-Fated...
(This entire section contains 945 words.)
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Dinner
Before dinner, Biedermann advises Anna to remove the fine tableware she had laid out. A funerary wreath arrives, mistakenly addressed to Biedermann instead of Knechtling, prompting him to instruct Anna to serve plainly and avoid formality. When Eisenring and Schmitz enter, Anna discreetly exits the room. During their conversation, the two men realize they will need to request matches from Biedermann after dinner. The dinner itself devolves into a debacle. It begins with laughter, as Biedermann recounts Willi's "joke" about oil waste being more flammable than sawdust, chastising Babette for lacking humor. As the meal progresses, accompanied by copious amounts of quality wine, Eisenring and Schmitz reveal their fondness for luxury, despite their humble backgrounds, listing items such as damask tablecloths and silver candelabra. Biedermann, in response, orders Anna to restore the elegant settings. Eisenring recounts the tale of the restaurant fire where he once worked and his subsequent meeting with Schmitz at the police station following his arrest. Schmitz shares his brief stint as an actor, specializing in ghost roles, and enacts a parody of the morality play Everyman, coaxing Biedermann into the lead role. The farce abruptly concludes when Schmitz claims to portray the ghost of Knechtling, prompting Babette's scream. Appearing intoxicated, the men break into song, joined by Biedermann, who also distributes cigars. As distant fire sirens blare, the men confess their identities as firebugs and excuse themselves. Unwilling to confront reality, Biedermann attempts to pacify them with a final toast to friendship, handing them matches before their departure.
Inevitable Consequences
As the sky darkens ominously, the professor emerges to inform the Biedermanns that he anticipated the firebugs' activities in the attic, yet underestimated the frivolity of their intentions. He departs, leaving Babette to question Biedermann about what he gave Schmitz and Eisenring. Confessing to having provided them with matches, Biedermann tries to soothe her worries by reasoning that genuine firebugs would already possess their own. Ultimately, the Chorus of Firemen mourns the destruction of the gas works, as explosions and collapsing buildings signal the impending devastation of the entire city.