The plot of Fire on the Mountain is relatively brief and uncomplicated, the significant action occurring within the psyches of Nanda and, to a lesser extent, Raka, her great-granddaughter. When Ila Das is raped and killed, that violent action happens “offstage” at the end of the novel, almost simultaneously with Raka’s announcement that she has set the forest on fire. While there are few important “events” in the rest of the novel, Anita Desai prepares the reader for the horrific ending by carefully embedding violence in her imagery and in her symbolism. In effect, the “fire” metaphorically smolders within her characters before it literally ignites at the end of the novel.
Part 1 of Fire on the Mountain provides the geographical and psychological setting prior to the arrival of Raka, Nanda’s great-granddaughter. After the death of her husband, Nanda has apparently chosen to live an isolated life in her retirement. Except for an occasional telephone call and a visit from the postman, which she regards as unwelcome intrusions, only the presence of Ram Lal, her cook, disturbs her solitude. Carignano, her literal and metaphorical “retreat,” is perched on the side of a cliff, and its setting suggests the precarious nature of the life she has established there. That life, free from obligations to others, is threatened by the visit of the postman, who brings her a letter informing her of the impending visit by Raka. When Ila Das, a friend since childhood, telephones Nanda and also asks about visiting her, Nanda realizes that her “pared, reduced, and radiantly single life” is in jeopardy.
The second part of the novel concerns the interaction—and lack of it—between Nanda and Raka, who, despite the generational gap, are quite similar in behavior. At first, Nanda considers Raka an “intruder, an...
(The entire section is 761 words.)