Final Payments Critical Evaluation - Essay

Mary Gordon

Critical Evaluation

(Critical Survey of Literature for Students)

Isabel’s new life is an absolute transformation from the one in which her father and her father’s bed had served as her center. She emerges as if from a cocoon after her years of all-consuming caregiving. She lived on the perimeter of a decade, and her marginality makes her feel like a blundering outsider. Always defining herself as her father’s devoted daughter, it is impossible for her to be an adult as long as he is alive. With his death, Isabel no longer has his authoritarian certitude of right and wrong, nor does she know how to define herself. She therefore continues to look to others for self-definition and self-confirmation, a dependency that leaves her especially vulnerable.

Although Liz tries to persuade Isabel that her past has nothing to do with her new life, she knows that it has a great deal to do with it. Even though it may seem that she is starting fresh, Isabel brings demons with her, especially her ineradicable feelings of guilt and self-condemnation. Her sexuality, on hold for eleven years, once again proves unsettling. She long believed that her father’s first stroke was caused by his discovery of David Lowe and her having sex. Although her sexual encounters with John are unsatisfactory, her body wants to be satisfied. Caught in a web of desire and of guilt, she luxuriates in her passionate affair with Hugh but believes his wife Cynthia’s accusation that Isabel is selfish and sick. Isabel sees her sexual desire as a disease, and the only way she can protect herself against it is to bury herself in Margaret’s house and overeat until she hides her beauty.

Isabel’s inability to keep a clean, orderly house is another source of irrational guilt. When at...

(The entire section is 700 words.)