Feminism in Literature Women's Literature in the 19th Century - Essay


(Feminism in Literature)

Modern critical analysis of nineteenth-century women's literature seeks, in part, to understand the underlying reasons that women authors, especially in America, Britain, and France, were able to gain such widespread exposure and prominence in an age known for its patriarchal and often dismissive attitude toward the intellectual abilities of women. In addition, scholars have examined the broad thematic concerns that characterize much of the literary output of nineteenth-century women writers, many arguing that it was in the nineteenth century that gender-consciousness and feminist attitudes first came to the forefront of the literary imagination, changing forever how the works of female authors would be written and regarded.

The number of published women authors was greater in the nineteenth century than in any preceding century. Women's access to higher education increased exponentially during the century, providing them with skills that they could use to develop their art. The growth of market economies, cities, and life expectancies changed how women in Europe and the United States were expected to conform to new societal pressures, and made many women more conscious of their imposed social, legal, and political inequality. Finally, the many social reform movements led by nineteenth-century women, such as religious revivalism, abolitionism, temperance, and suffrage, gave women writers a context, an audience, and a forum in which they could express their views. While most scholars agree that many women writers expressly or tacitly accepted the separate sphere of domesticity that the age assumed of them, they also argue that as the century progressed, an increasing number of women began to express, in their writing, their dissatisfaction with gender relations and the plight of women in general. Throughout the Victorian era, the "woman question" regarding woman's true place in art and society was a subject that was hotly debated, spurred in large part by the rapid rise in literature by and for women.

At the beginning of the nineteenth century, women writers were largely confined to the genres of children's literature and poetry. The emotionalism of poetry, particularly poetry in which depth of feeling and sentiment, morality, and intuition were expressed and celebrated, was considered a "feminine genre," suitable for women writers. As nineteenth-century women increasingly began to write fiction, however, critical reviews of the age often derided the inferior talents of women novelists, faulting what they perceived as women's lack of worldly experience, critical judgment, and rationality—traits thought to characterize men—and dismissing their works as little better than pulp designed to appeal to the unrefined tastes of an ever-expanding female readership. Many of the century's greatest novelists, including Charlotte Brontë, George Eliot, Mary Shelley, and George Sand, never completely escaped the condescension of critics whose negative assessments of their works were often based on the author's gender. Scholars argue that the legacy of this sexism has been a historic dismissal of the work of many of the age's most popular, gifted, and influential women writers, consistently judged as unworthy of academic study.

Some modern critics have continued to disregard the contributions of nineteenth-century women authors, while others have noted that by the end of the century, women novelists were more prevalent, and often more popular, than male novelists. Others have focused on representations of women in literature written both by men and women to illuminate the full spectrum of expectations of and perspectives on women and their perceived roles in society. Commentators have also compared the thematic concerns of women writers in England, France, and the United States, recognizing in these three cultures intersecting movements toward creative and feminist literary expression. In recent decades, critics have examined the contributions of African American and Native American women authors, as well as the influence of the nineteenth-century periodical press, analyzing the increasing radicalism of journals and essays edited and written by feminist pioneers such as Frances Power Cobbe and Sarah Josepha Hale.

Toward the end of the century, nineteenth-century women writers expanded their subject matter, moving beyond highlighting the lives and hardships suffered by women locked in domestic prisons. Instead, they increasingly expressed their individualism and demanded more equal partner-ships—in marriage, public life, law, and politics—with men.

Representative Works

(Feminism in Literature)

Jane Austen

Northanger Abbey: And Persuasion (novels) 1818

Miss Marjoribanks (novel) 1866

Charlotte Brontë

Jane Eyre (novel) 1847

Villette (novel) 1853

Elizabeth Barrett Browning

Aurora Leigh (poetry) 1857

Josephine Butler

The Education and Employment of Women (nonfiction) 1868

Kate Chopin

The Awakening (novel) 1898

Frances Power Cobbe

Essays in the Pursuit of Women (essays) 1863

The Life of Frances Power Cobbe: By Herself (autobiography) 1894

Dinah Craik

Olive (novel) 1850

George Eliot

Romola (novel) 1863

Middlemarch (novel) 1871-72

Fanny Fern

Ruth Hall (novel) 1855

Margaret Fuller

Woman in the Nineteenth Century (nonfiction) 1845

Elizabeth Gaskell

Ruth (novel) 1853

Adam Bede (novel) 1859

Charlotte Perkins Gilman

The Yellow Wallpaper (novella) 1892

Women and Economics (nonfiction) 1898

Sarah Grimké

Letters on the Equality of the Sexes and the Condition of Women (letters and essays) 1834

Frances Ellen Watkins Harper

"The Two Offers" (short story) 1859

Sketches of Southern Life (folklore poetry) 1872

Nathaniel Hawthorne

The Scarlet Letter (novel) 1859

Marietta Holley

My Opinions and Betsey Bobbet's (short stories) 1873

Sarah Orne Jewett

A White Heron and other Stories (short stories) 1886

A Country Doctor (novel) 1884

"Tom's Husband" (short story) 1886

The Country of the Pointed Firs (short stories) 1896

Anna Cora Mowatt

Fashion; or, Life in New York (play) 1854

Caroline Sheridan Norton

English Laws for Women (essay) 1854

Elizabeth Cady Stanton

The Woman's Bible (prose) 1895

Harriet Beecher Stowe

"Uncle Lot" (short story) 1834

Uncle Tom's Cabin (novel) 1852

The Pearl of Orr's Island (novel) 1862

Susan Warner

The Wide, Wide World (novel) 1851

StéPhanie-FéLicité Ducrest, Comtesse De Genlis (Essay Date 1811)

(Feminism in Literature)


SOURCE: Ducrest,...

(The entire section is 1747 words.)

Elizabeth Oakes Smith (Essay Date 1851)

(Feminism in Literature)

SOURCE: Smith, Elizabeth Oakes. Woman and Her Needs, pp. 10-29. New York: Fowlers and Wells, 1851....

(The entire section is 2868 words.)

Josephine Butler (Essay Date 1868)

(Feminism in Literature)

SOURCE: Butler, Josephine. "The Education and Employment of Women." In Women's Writing of the Victorian...

(The entire section is 1468 words.)

Frances Power Cobbe (Poem Date 1871)

(Feminism in Literature)

SOURCE: Cobbe, Frances Power. "To Elizabeth Garrett Anderson." In Women's Writing of the Victorian Period...

(The entire section is 545 words.)

Mary Elizabeth Coleridge (Poem Date 1892)

(Feminism in Literature)

SOURCE: Coleridge, Mary Elizabeth. "The Witch." In The Norton Anthology of Literature by Women,...

(The entire section is 218 words.)

Elaine Showalter (Essay Date 1977)

(Feminism in Literature)

SOURCE: Showalter, Elaine. "The Female Tradition." In A Literature of Their Own: British Women Novelists...

(The entire section is 10293 words.)

Susan Rubinow Gorsky (Essay Date 1992)

(Feminism in Literature)

SOURCE: Gorsky, Susan Rubinow. "Introduction: Literature and Society." In Femininity to Feminism: Women...

(The entire section is 6345 words.)

Susan K. Harris (Essay Date 1993)

(Feminism in Literature)

SOURCE: Harris, Susan K. "'But is it any good?' Evaluating Nineteenth-Century American Women's Fiction." In...

(The entire section is 7169 words.)

Dorothy Mermin (Essay Date 1993)

(Feminism in Literature)

SOURCE: Mermin, Dorothy. “Entering the Literary Market.” In Godiva's Ride: Women of Letters in England, 1830-1880, pp. 43-59. Bloomington, Ind.: Indiana University Press, 1993.

In the following essay, Mermin describes the subject matter and other literary elements that defined the novels of nineteenth-century women authors.

The pleasures fame brought women writers show not only the gap between premonitory terror and a realized fact but also changes occurring in the literary world. It has been estimated that half the novels published in England in the eighteenth century were written by women, but the prestige of the genre...

(The entire section is 9023 words.)

Rennie Simson (Essay Date 1986)

(Feminism in Literature)

SOURCE: Simson, Rennie. "Afro-American Poets of the Nineteenth Century." In Nineteenth-Century Women...

(The entire section is 4456 words.)

Susan Coultrap-Mcquin (Essay Date 1990)

(Feminism in Literature)

Coultrap-McQuin, Susan. "Why Try a Writing Career?: The Ambiguous Cultural Context for Women Writers of the...

(The entire section is 6067 words.)

Marjorie Pryse (Essay Date 1997)

(Feminism in Literature)

SOURCE: Pryse, Marjorie. "Origins of American Literary Regionalism: Gender in Irving, Stowe, and...

(The entire section is 10239 words.)

Lyde Cullen Sizer (Essay Date 2000)

(Feminism in Literature)

SOURCE: Sizer, Lyde Cullen. "Introduction: My Sphere Rounds Out: Northern Women and the Written War,...

(The entire section is 7891 words.)

Elaine Showalter (Essay Date 1977)

(Feminism in Literature)

SOURCE: Showalter, Elaine. "The Double Critical Standard and the Feminine Novel." In A Literature of...

(The entire section is 8455 words.)

Albert C. Sears (Essay Date Spring-Summer 2000)

(Feminism in Literature)

SOURCE: Sears, Albert C. "The Politics and Gender of Duty in Frances Power Cobbe's The Duties of...

(The entire section is 5331 words.)

Valerie Sanders (Essay Date 2001)

(Feminism in Literature)

Sanders, Valerie. “Women, Fiction and the Marketplace.” In Women and Literature in Britain 1800-1900, edited by Joanne Shattock, pp. 142-161. Cambridge: Cambridge University Press, 2001.

In the following essay, Sanders reports the treatment of women writers in the literary marketplace of the nineteenth century.

I have now so large and eager a public, that if we were to publish the work without a preliminary appearance in the Magazine, the first sale would infallibly be large, and a considerable profit would be gained even though the work might not ultimately impress the public so strongly as ‘Adam’ has done.

(The entire section is 8532 words.)

Further Reading

(Feminism in Literature)

Ardis, Ann L. "The Controversy over Realism in Fiction, 1885-1895." In New Women, New Novels: Feminism and Early...

(The entire section is 1481 words.)