Fata Morgana Analysis
The fata morgana of Kotzwinkle’s title is an ancient term suggesting a revelation that illuminates destiny. The message, however, is wrapped in mystery, and its interpretation depends to a considerable extent on the mind-set of the seeker who would unravel its perplexities. The “fate” that is revealed through the disclosure of a “mirage” or an “illusion” is an indistinct but inviting vision that draws an explorer beyond the familiar and into contact with the extraordinary. Once in this shadow world, both physical and psychic stability are at stake, but the lure of a kind of forbidden knowledge is so powerful that even an essentially rational man such as Kotzwinkle’s Inspector Picard is willing to override the habits of a lifetime in response to the temptations of the mystery.
Picard senses (and Kotzwinkle implies) that even if no ultimate illumination occurs, the journey toward the enigma in itself is as valuable as its goal, which includes the possibility of some startling answer to a cosmic question. In Picard’s case, the journey is a dream/descent into the subconscious, a course that parallels Picards travels across Europe to gather clues that might provide information about the frighteningly mysterious Ric Lazare.
At first, Picard regards any intrusion of evil into his life as an intervention from an outside source. He begins to realize that his fascination with criminal life may stem from some elements in his own psyche that resonate on similar frequencies, although his own moral foundation is substantial. The question Kotzwinkle poses here is whether any definition of criminality that goes beyond obvious transgressions of basic human decency is socially subjective.
This leads to the larger issue of magic, another volatile concept often defined in terms of a particular social orientation. Kotzwinkle proposes that the entire realm of the magical has often been confused or blended with the criminal because it deals with activities that often defy order, simple explanation, and some social conventions. Kotzwinkle is interested in the apparently timeless appeal of the magical in many forms for the human species. As a successful writer of excellent children’s books (such as Hearts of Wood and Other Timeless Tales , 1986) he draws on his imaginative experience with that genre to propose that the spirit of the...
(The entire section is 585 words.)