This critically examined novel, released concurrently with the inaugural
Saint-Germain volume, presents a narrative that is both somber and structurally
flawed. Its desolate undertone stems from its setting in a post-apocalyptic
world, which offers no glimmer of hope for humanity's future. The structural
weakness arises from the author's attempt to stretch the original story into a
full-length composition.
In this tale, Doomsday has arrived, yet the specifics remain elusive.
Extreme pollution pervades, forcing plants and animals into bizarre adaptations
over time. Towering Ponderosa pines have turned a foreboding red, while
venomous water spiders—eerily reminiscent of scorpions—congregate around water
sources, delivering swift and agonizing death with their stings. Peril lurks in
every corner where humans dwell. The narrative unfolds in California, with
ruthless motorcycle gangs, whose ferocity echoes the Mongols, marauding the
landscape. Paul Walker lamented in Galaxy that while an army seems to
loom, ultimately only a few are thwarted by the central duo, both mutants for
reasons unknown to the readers.
Thea, a young woman born in 1986, now finds herself at twenty-six years old.
She became a mutant, likely due to parental consent, as part of an experiment
to engineer diverse mutants—or "mutes"—capable of thriving better than regular
humans in the post-apocalyptic realm. Thea possesses a nictitating membrane in
her eye—useless to most—but more crucially, she and her male companion Evan can
regenerate tissue. Remarkably, in Evan's case, this extends to bone
regeneration; after losing an arm to the Pirates, it astonishingly regrows.
Throughout the novel's nearly 200 pages, they traverse the desolate Western
mountains in search of refuge, relentlessly pursued by homicidal maniacs that
seem to populate every era in Yarbro's universe. Besides the Pirates, they face
cannibals and fanatical monks intent on their destruction. Gretchen Rix, in
Science Fiction Review, criticized the novel's "gimmicky villains" as a
primary flaw, although others cite a more extensive list of issues.