The Fall of the House of Usher Criticism
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The Fall of the House of Usher, Edgar Allan Poe
- Introduction
- Principal Works
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Criticism
- ‘The Fall of the House of Usher’: An Apocalyptic Vision
- Poe and the Picturesque: Theory and Practice
- Teaching ‘Usher’ and Genre: Poe and the Introductory Literature Class
- ‘The Fall of the House of Usher’ and Elegiac Romance
- Explanation in ‘The Fall of the House of Usher’
- Poe's Re-Vision: The Recovery of the Second Story
- The Power of Terror: Burke and Kant in the House of Usher
- Locke, Kant, and Gothic Fiction: A Further Word on the Indeterminism of Poe's ‘Usher’
- Poe's Gothic Sublimity: Prose Style, Painting, and Mental Boundaries in ‘The Fall of the House of Usher’
- The Hidden God and the Abjected Woman in ‘The Fall of the House of Usher’
- ‘Sympathies of a Scarcely Intelligible Nature,’: The Brother-Sister Bond in Poe's ‘Fall of the House of Usher’
- ‘Reading Encrypted but Persistent': The Gothic of Reading and Poe's ‘The Fall of the House of Usher’
- Further Reading
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The Fall of the House of Usher Poe, Edgar Allan
- Introduction
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Criticism
- Edgar Allan Poe
- A Key to The House of Usher
- Three Commentaries: Poe, James, and Joyce
- The House of Poe
- The Vampire Motif in 'The Fall of the House of Usher'
- The Haunted Palace of Art
- The Face in the Pool: Reflections on the Doppelgänger Motif in 'The Fall of the House of Usher'
- Poe's House of the Seven Gothics: The Fall of the Narrator in 'The Fall of the House of Usher'
- A Misreading of Poe's The Fall of the House of Usher
- Playful 'Germanism' in The Fall of the House of Usher: The Storyteller's Art
- Malady and Motive: Medical History and The Fall of the House of Usher
- Reflections On, and In, The Fall of the House of Usher
- 'Sympathies of a Scarcely Intelligible Nature': The Brother-Sister Bond in Poe's 'Fall of the House of Usher'
- The Perverse Strategy in 'The Fall of the House of Usher'
- Further Reading