It is not specified why the city is bombed in Fahrenheit 451. There are no specific details given regarding the cause of the atomic war, and the audience does not even know the identity of the enemy. The ambiguity surrounding the war serves as a backdrop to highlight the artificial, destructive lives of the citizens. The nuclear war also parallels Montag's internal conflict as he pursues knowledge and happiness in a depressing world.

In Fahrenheit 451, society views children as accessories and motherhood as a detached responsibility. The government promotes isolation, discouraging familial bonds. Children are considered unimportant and are often left to the influence of TV walls, which replace traditional parenting. Maternal bonding is seen as unnecessary and, once of age, children are sent to school, only returning home sporadically. This detachment extends to the process of childbirth, which is scheduled for convenience rather than treated as a significant life event.

In Fahrenheit 451, the war's duration and people's reactions to it mirror the societal and personal conflicts within the narrative. Initially, the looming war threat reflects Montag's internal struggle as a fireman. As the novel progresses, characters like Mrs. Phelps and Mrs. Bowles show indifference towards the war, symbolizing society's lack of understanding. The war's rapid conclusion coincides with Montag's societal breakaway, signifying the end of his old life and the beginning of a new one.

In Fahrenheit 451, the Emergency Hospital sends technicians, not doctors, to treat Mildred's overdose because the high frequency of such incidents led to the development of specialized machines that handle the entire process. These machines, capable of pumping stomachs and replacing blood, eliminate the need for a doctor's presence during the procedure. This system reflects the impersonal and detached society depicted in the novel, where such emergencies are commonplace and handled mechanically.

Granger proposes building a mirror factory to symbolize the need for self-awareness and accountability in a new society. By encouraging people to reflect on themselves, he aims to prevent the repetition of past mistakes that led to destruction. This idea contrasts with the previous society where individuals lacked self-examination, allowing the government to dictate identities and roles. Granger's vision is to foster a community that values introspection, diversity, and personal responsibility.

The quote from Fahrenheit 451, "Its real beauty is that it destroys responsibility and consequences," reflects Captain Beatty's belief that fire simplifies life by eliminating problems and discomforts. Beatty argues that burning literature and censoring knowledge absolves society from facing adversity and responsibilities, aligning with the dystopian culture's preference for immediate gratification and superficiality over critical thought and growth.

In Fahrenheit 451, Benjamin Franklin is credited as the first fireman to lend credibility to the rewritten history that firemen start fires to burn books. Franklin's historical association with firefighting and the year of his death, 1790, were manipulated to make the new version of history more believable. Additionally, Franklin's role in simplifying complex ideas into aphorisms aligns with the society's trend of dumbing down information.

In Fahrenheit 451, Bradbury criticizes institutions like education, marriage, and family. Education is devalued, with schools prioritizing entertainment over intellectual development, reflecting society's preference for pleasure over learning. Marriage is depicted as superficial, with partners remaining emotionally detached, while family life is neglected, as having children is seen as burdensome. Mass media also faces criticism for being shallow and profit-driven, prioritizing distraction over meaningful content.

In *Fahrenheit 451*, "the family" refers to immersive television programs that dominate people's lives. These shows distract citizens from reality, preventing independent thought and rebellion against the government. Characters like Mildred are more emotionally invested in these fictitious families than in real relationships, which keeps society submissive and focused on superficial pleasure rather than meaningful connections.

Faber describes the change in religion as negative, highlighting how society has commercialized and distorted religious figures like Jesus into mere tools for advertising. Religion's moral essence is lost, replaced by materialism and entertainment. In this dystopian society, religion no longer influences the morally insensitive citizens, reflecting a broader decline in societal values. Faber's observations suggest that religion, like education, has been undermined by media and government censorship.