Robert Creeley’s collection, Just in Time (2001), is a tapestry woven from three smaller poetry compendiums crafted by Creeley between 1984 and 1994. Among its treasures is the evocative poem “Fading Light,” and it is enriched further by insightful exchanges with Charles Bernstein.

Arthur Ford’s Robert Creeley, dating back to 1978, offers a captivating exploration of Creeley’s life and the dawn of his literary journey. Though it does not encompass his later works, it serves as an engaging gateway into the poet’s early universe.

Within Life and Work (1987), Robert Creeley presents a bountiful collection of concise critiques and essays examining his oeuvre. This volume also unveils some of his early correspondences with fellow poets who played pivotal roles in shaping his distinctive style.

A. Poulin’s Contemporary American Poetry (1980, 3rd edition) features an impressive array of Creeley’s poems, nestled among the works of his contemporaries, highlighting the vibrant tapestry of American poetry during that era.