F. Scott Fitzgerald

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Other Literary Forms

(Literary Essentials: Short Fiction Masterpieces)

Four novels, four short-story collections, and a play make up the nine F. Scott Fitzgerald books published in his lifetime. They were issued in uniform editions by Scribner’s with a British edition of each. His short stories were widely anthologized in the 1920’s and 1930’s in collections such as The Best Short Stories of 1922, Cream of the Jug, and The Best Short Stories of 1931. The Vegetable: Or, From President to Postman (1923) was produced at the Apollo Theatre in Atlantic City, and, while Fitzgerald was under contract to MGM, he collaborated on such screenplays as Three Comrades, Infidelity, Madame Curie, and Gone with the Wind. There have been numerous posthumous collections of his letters, essays, notebooks, stories, and novels; and since his death there have been various stage and screen adaptations of his work, including film versions of The Great Gatsby (1925) and Tender Is the Night (1934).

Achievements

(Literary Essentials: Short Fiction Masterpieces)

F. Scott Fitzgerald, considered “the poet laureate of the Jazz Age,” is best remembered for his portrayal of the “flapper” of the 1920’s, a young woman who demonstrated scorn for conventional dress and behavior. Fitzgerald’s fiction focuses on young, wealthy, dissolute men and women of the 1920’s. His stories written for popular magazines such as the Saturday Evening Post and, later, Esquire were very much in demand. Fitzgerald’s literary reputation, however, is chiefly based on the artistry of stories such as “Babylon Revisited” and “The Rich Boy,” as well as the novel The Great Gatsby. In this important novel, Fitzgerald uses rich imagery and symbolism to portray lives of the careless, restless rich during the 1920’s and to depict Jay Gatsby as the personification of the American dream, the self-made man whose quest for riches is also a futile quest for the love of the shallow, spoiled Daisy.

Other literary forms

(Survey of Novels and Novellas)

Charles Scribner’s Sons published nine books by F. Scott Fitzgerald during Fitzgerald’s lifetime. In addition to the first four novels, there were four volumes of short stories, Flappers and Philosophers (1920), Tales of the Jazz Age (1922), All the Sad Young Men (1926), and Taps at Reveille (1935); and one play, The Vegetable: Or, From President to Postman (pb. 1923). The story collections published by Scribner’s contained fewer than one-third of the 165 stories that appeared in major periodicals during his lifetime; now, virtually all of Fitzgerald’s stories are available in hardcover collections. Fitzgerald also wrote essays and autobiographical pieces, many of which appeared in the late 1930’s in Esquire and are now collected in, among other places, The Crack-Up (1945). Fitzgerald’s Hollywood writing consisted mainly of collaborative efforts on scripts for films such as Gone with the Wind (1939) and others, although during his life and since his death there have been various screen adaptations of his novels and stories. Fitzgerald’s notebooks, scrapbooks, and letters also have been published.

Achievements

(Survey of Novels and Novellas)

Curiously, F. Scott Fitzgerald has appealed to two diverse audiences since the beginning of his career: the popular magazine audience and the elite of the literary establishment. His work appeared regularly in the 1920’s and 1930’s in such mass-circulation magazines as the Saturday Evening Post, Hearst’s, International, Collier’s, and Redbook. The readers of these magazines came to ask for Fitzgerald’s flapper stories by name, expecting to find in them rich, young, and glamorous heroes and heroines involved in exciting adventures. Popular magazines in the 1920’s billed Fitzgerald stories on the cover, often using them inside as lead stories. Long after Fitzgerald lost the knack of writing the kind of popular stories that made him famous as the creator of the flapper in fiction and as the poet laureate of the Jazz Age, magazine headnotes to his stories identified him as such.

Those who recognized the more serious side of Fitzgerald’s talent, as it was evidenced particularly...

(The entire section is 956 words.)