Euripides Additional Biography

Biography

(Critical Edition of Dramatic Literature)

The manuscript tradition of Euripides contains an ancient Life of Euripides, clearly a composite of several sources, including Philochorus, a fourth century b.c.e. Attic historian, and Satyros, a third century Peripatetic biographer, fragments of whose own Life of Euripides exist on papyrus. Unfortunately, however, much of the ancient biographical tradition about Euripides is derived from ancient comedy, especially from that of Aristophanes, whose Thesmophoriazousai (411 b.c.e.; Thesmophoriazusae, 1837) and Batrachoi (405 b.c.e.; The Frogs, 1780) both contain caricatures of Euripides and who is therefore suspect as a historical source.

The problem of source reliability starts with Euripides’ parentage. The comic tradition that Euripides’ father, Mnesarchus (or Mnesarchides), was a shopkeeper and his mother, Clito, a greengrocer, is apparently contradicted by ancient statements that Euripides’ mother belonged to a noble family and that Euripides himself was granted honors worthy of high rank, including those of dancing at Athens in the sacred dance to Delian Apollo and of being a fire bearer in another cult of Apollo. Euripides is said to have been born on the island of Salamis, but he was a member of the Athenian deme of Phlya, where he may have held a local priesthood of Zeus. His date of birth is variously given as either 485 or 480 b.c.e., the later date being based on the persistent ancient tradition that the playwright was born on Salamis on the very day of the battle in which Aeschylus may have fought and after which Sophocles as a youth is said to have danced in the victory celebration. Apparently, Euripides’ ties with Salamis were strong, for he is said to have composed many of his plays in a solitary cave on the island.

The ancient Life of Euripides states that, as a youth, Euripides studied painting and was trained as an athlete because of a misinterpretation of an oracle stating that he would someday win “crowns in contests at Athens.” Although Euripides may, as some sources suggest, have won some early athletic victories at Athens, his real victories were to be won in the dramatic competitions at Athens’ Greater Dionysia.

Euripides is linked intellectually with many of the great thinkers of his day. The ancient Life of Euripides lists among his teachers Anaxagoras, whose doctrines can be seen in Hippolytus, The Trojan Women, and elsewhere; Protagoras, who is said to have read his treatise “On the Gods” in Euripides’ house; the Sophist Prodicus; and even Socrates, who was at least fifteen years Euripides’ junior and whom Aristophanes called a collaborator in Euripides’ dramatic compositions. As a fifth century b.c.e. Athenian, Euripides certainly came in contact with all these men, but none of them is likely to have a formal student-teacher relationship with Euripides. The influence of the tragedian Aeschylus and the poet Timotheus on Euripides’ dramatic development has already been mentioned. The poet may also have had some connections with the historian Thucydides. A memorial inscription dedicated to Euripides is ascribed to Thucydides, although it is sometimes attributed to Timotheus.

The story of Euripides’ two unhappy marriages, first to Melito and then to a Choerile or Choerine, daughter of Mnesilochus, is too clearly entangled in comic tradition to be historical. According to the Life of Euripides, the second wife committed adultery with a certain Cephisophon, who is described both as a house slave and as a literary collaborator with Euripides. The playwright is said to have written his scandalous first Hippolytus in reaction to his wife’s infidelity. Actually, both unhappy marriages and his traditional misogyny may be a comic exaggeration of Euripides’ depiction of evil women in such plays as the first Hippolytus and Medea.

Euripides had three sons: Mnesarchides, a merchant; Mnesilochus, an actor; and Euripides the younger, a tragic poet who produced Iphigenia in Aulis and The Bacchae posthumously for his father.

Euripides appears to have led a very quiet life except for his dramatic career. The only public duty attributed to him, an ambassadorship to Syracuse, is generally discounted today. Euripides may have been friendly with the Athenian politician Alcibiades. An epinician ode to Alcibiades is perhaps attributable to the dramatist, and unmistakable strains of Athenian patriotism are notable in such plays as Medea and The...

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Biography

(Masterpieces of World Literature, Critical Edition)

0111201545-Euripides.jpg Euripides (Library of Congress) Published by Salem Press, Inc.

Almost nothing is known for certain about the life of Euripides (yew-RIHP-uh-deez). While a number of ancient authors claim to supply information about his life or to comment upon his character, much of what these authors say has been based upon legends. At their worst, tales about Euripides have been corrupted by how the poet was depicted in ancient comedy and satire. Even at their best, these stories are often merely anecdotes misremembered or invented by the author’s admirers long after his death.

Not even Euripides’ birthplace is known for sure. Most ancient sources suggest that Euripides was born on Salamis, an island off the coast of Athens. Yet this tradition seems to be part of an ancient legend connecting...

(The entire section is 777 words.)

Biography

(Masterpieces of World Literature, Critical Edition)

In the works of Euripides, the traditional stories of Greek tragedy were reinterpreted in light of the philosophical theories current in the late fifth century b.c.e. Gods in Euripides’ works usually personify human emotions and resemble only in outward form the highly anthropomorphic deities of Homer and Sophocles. Kings and nobles from the remote past speak in the language of the Athenian law courts. Ordinary people are also frequently introduced into Euripidean tragedy and are central to the plot.

Throughout the eighteen surviving plays of Euripides, it is possible to trace his evolution as an artist. Early works such as the Medea and the Hippolytus contain, despite their many innovations, the conventional view that the Athenians are a great and just people. This view declines in such works as The Trojan Women. Moreover, though Euripides’ sense of disillusionment with the Athenian empire may have caused him to leave Athens in 408 b.c.e., his last works illustrate a return to a more traditional view of humanity and the gods.

Biography

(Great Authors of World Literature, Critical Edition)

Euripides (yew-RIHP-uh-deez) was the last of the three great Attic tragedians. Conservatives, represented mainly by the comic poets, complained that he debased tragedy by introducing ragged heroes, immoral women, and the subversive casuistry of the sophists. Euripides himself was not, as they allege, of low birth and unhappy in his marriages, though he may well have been a bookish recluse. He was more obviously concerned than were his predecessors with current political and social problems—one can trace his growing disillusionment with the Peloponnesian War from the Andromache to the Trojan Women—but he never held public office, won only four prizes, and was ready to leave Athens for Macedonia (c. 408

(The entire section is 988 words.)

Biography

(Drama for Students)

The life of Euripides, one of the great tragic playwrights of Classical Greece, spans the ‘‘Golden Age’’ of 5th century B.C. Athens....

(The entire section is 690 words.)

Biography

(Drama for Students)

As far as historians can tell, Euripides was born in the Greek city-state of Athens around 484 B.C. to parents affluent enough to provide...

(The entire section is 599 words.)

Biography

(Drama for Students)

A bust of Euripides Published by Gale Cengage

Although historians can only piece together the biography of a man who lived before detailed biographical information was reliably recorded,...

(The entire section is 411 words.)