Places Discussed

(Critical Guide to Settings and Places in Literature)

Grandet house

Grandet house (gran-day). Home of Monsieur Grandet, his wife, his daughter, Eugénie, and his servant, Nanon. Located in Saumur, it is a typical provincial house of western France. Through highly detailed descriptions of both the exterior and the interior of the house, Honoré de Balzac reveals protagonists’ social status and character. Bleak and cold in appearance, the house defines the monotonous and melancholy existence of its three female residents, an existence that is completely controlled by the tyrannical and miserly Grandet. Life is in fact so stifling that only when Grandet is away on business can the women breathe and be themselves. It is not surprising, therefore, that the parents never leave and will die there and that Eugénie views this dismal house as her entire universe. Only her cousin Charles Grandet can free her, and when he chooses to marry another woman—despite making a promise to Eugénie of eternal love given in the Grandets’ ill-kept and overgrown garden—Eugénie ultimately lives out her years in her father’s home, unconsciously re-creating every detail of his own extreme frugality.

Large and in disrepair, the house has three rooms that have special significance. The poorly lit and heated gray parlor serves as the setting for family gatherings and penny-ante card games, always with the same six guests. Monsieur Grandet’s doubly impenetrable study, whose access is forbidden to all, is...

(The entire section is 560 words.)


(Great Characters in Literature)

Bertault, Philippe. Balzac and the Human Comedy. Translated by Richard Monges. New York: New York University Press, 1963. A general survey of Balzac’s novels, offering little in-depth analysis of individual works but usefully locating them in relation to Balzac’s major themes and interests. Includes a brief biographical sketch.

Hemmings, F. W. J. Balzac: An Interpretation of “La Comédie Humaine.” New York: Random House, 1967. Chapter 4, “The Cancer,” presents a comparative analysis of Eugénie Grandet, Cousin Bette, and Père Goriot as a trilogy of works centering around a father whose private obsession jeopardizes his family.

Levin, Harry. The Gates of Horn: A Study of Five French Realists. New York: Oxford University Press, 1963. A study of literary realism in France. In chapter 4, Levin includes several specific references to Eugénie Grandet.

Maurois, André. Prometheus: The Life of Balzac. Translated by Norman Denny. Harmondsworth, Middlesex, England: Penguin Books, 1971. The definitive biography of Balzac, which provides detailed context for and some commentary on all of the major works, including Eugénie Grandet.

Schor, Naomi. Breaking the Chain: Women, Theory, and French Realist Fiction. New York: Columbia University Press, 1985. In chapter 5, “Eugénie Grandet: Mirrors and Melancholia,” Schor presents a closely detailed feminist reading of the novel, relying on the insights provided by psychoanalytic theory.