illustrated portrait of American author Ernest Hemingway

Ernest Hemingway

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Student Question

What is the purpose of Hemingway's direct, unadorned style of writing?

Quick answer:

Hemingway's direct, unadorned style serves to emphasize dialogue and mood over elaborate language, allowing readers to focus on the underlying themes and relationships. This style creates room for interpretation and engages readers in uncovering the subtext of his narratives. While his writing is often minimal, it doesn't eliminate uncertainty, as seen in stories like "Hills Like White Elephants," where ambiguity plays a key role. Thus, his style enhances both clarity and interpretive depth.

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I'm not sure that there's a single correct answer in that multiple choice question about Ernest Hemingway's writing style, but I think that I can safely rule out two answers.

"A. Remove all uncertainty.." is not a plausible answer. No self-respected modernist would try to use language without uncertainty, and Hemingway definitely presents uncertainty in a number of his works. For example, it's never completely clear what the topic of discussion is in the short story "Hills Like White Elephants: or what the nature of Jake Barnes' wound is in The Sun Also Rises. The reader gets a pretty good idea, sure, but the characters and narrator tend to talk around subjects rather than about them, a tendency that creates rather than removes uncertainty.

"C. Deemphasize the importance of language..." is equally impossible as an answer. Like all serious writers, Hemingway was closely attuned to language and often worked...

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very long and hard to get the right word for what he meant. The drafts of his manuscripts are full of extensive revisions and rewritings of his material.

Of the remaining two answers, B and D, I think that I prefer the answer B. Or D! I really can't decide which seems most true. I also don't even think it's true that Hemingway always uses a "direct, unadorned style of writing." This characterization does not fit his very long and rich descriptions of the Spanish landscape in The Sun Also Rises, for example.

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Reading literature is a subjective activity, and each reader brings a different set of skills and experiences to a story. From a personal point of view I would have to say that all four of those statements reflect my own experiences of Hemingway's writings - particularly his short stories. For example, in the wonderful story 'The End of Something,'  I would say that the writing is very minimal and stripped of unecessary decoration - there is no confusion about where Nick and Marjorie are, yet the author still leaves room for clues and mystique. This allows for great enjoyment or fun on the part of the reader, as he/she is able to concentrate on the dialog in order to try to work out what's going on in the action. It also means that each can interpret the outcome in a different way. My own perception was that Marjorie got fed up eventually, of playing Nick's moody games and left him with a buddy he didn't seem to like either. Hemingway emphasised dialog and mood over the language of the setting and managed,while still being descriptive to pare the story right down to spotlight the relationship.

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