Erich Heller was arguably the best-known literary critic and historian of Austrian and German literature in the English language during the 1950’s and 1960’s. He was born in Komotau, Czechoslovakia (formerly Bohemia, which was a province of the Austro-Hungarian Empire), on March 27, 1911. Like Franz Kafka, he studied law at Charles University, Prague, and he received his doctor of law degree with distinction in 1935. When Czechoslovakia was invaded by the armed forces of Nazi Germany in March of 1939, Heller emigrated to England, where he received his Ph.D. degree from the University of Cambridge in 1948.
From 1943 to 1945, Heller taught as assistant lecturer in German at the London School of Economics. From 1945 to 1948, he was lecturer in German and director of studies in modern languages at Peterhouse College, Cambridge. In 1948 Heller was appointed professor of German at University College of Swansea, Wales, where he taught from 1948 until 1960. In 1960 Heller accepted a position as a professor of German at Northwestern University in Evanston, Illinois. In 1968 he was appointed Avalon Professor of Humanities at Northwestern University. Heller has been visiting lecturer at universities in Germany and at Harvard University, Yale University, Brown University, and other American universities. In 1957-1958 he was Ziskind Visiting Professor at Brandeis University, and in 1963, Carnegie Visiting Professor of Humanities at the Massachusetts Institute of Technology. He was a member of the German Academy for Language and Literature, the Bavarian Academy of Fine Arts, and the International Association of Poets, Playwrights, Editors, Essayists, and Novelists (PEN) (Germany and Austria), and was a Fellow of the American Academy of Arts and Sciences. He received the Gold Medal of the Goethe Institute in Munich and the Great Cross of Merit from the West German government.
Heller’s importance in the history of literary criticism was universally recognized from the 1950’s to the 1970’s, but his work subsequently was overshadowed by the literary theories of the neo-Marxist Frankfurt School, French structuralism, and American deconstruction, as well as by the debate about postmodernism. Heller identified with the modernism of T. S. Eliot, Franz Kafka, Thomas Mann, and Rainer Maria Rilke. He was primarily an essayist who avoided theories and systems, and his methodology as a literary critic was relatively subjective and conservative. His essays show a pro-Nietzschean and an anti-Hegelian...
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