Rohmer takes Pascal's Pensées for his text. According to Pascal we meet our sense of the void with nausea, ennui, anxiety: "All our unhappiness stems from the fact that we are incapable of sitting quietly by ourselves in a room." (pp. 132-33)
[In Chloe in the Afternoon, Chloe is, for Frédéric] the inauthentic diversion from mortality and from eternity, as represented by his marriage and embodied by his children. For Frédéric, like many, fears the happiness of fulfillment; he tells us that he dreams madly of a life made of "first loves", that is to say—though he doesn't realize this—a life without death. In a stunning parade of impersonations, which Rohmer makes the most of...
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