Last Updated on June 19, 2019, by eNotes Editorial. Word Count: 137
Ceremony and Tradition
In a work written to celebrate a wedding day (possibly even Edmund Spenser’s own), the marriage ceremony is, appropriately enough, the primary theme. More generally, the poem praises ceremonies and traditions. The poet incorporates the thematic link between past and present with numerous allusions to classical antecedents,...
(The entire section contains 796 words.)
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- Critical Essays
Ceremony and Tradition
In a work written to celebrate a wedding day (possibly even Edmund Spenser’s own), the marriage ceremony is, appropriately enough, the primary theme. More generally, the poem praises ceremonies and traditions. The poet incorporates the thematic link between past and present with numerous allusions to classical antecedents, stressing numerous individual instances in which an ancient Greek character, whether deity or mortal, is invoked in comparison to a contemporary figure.
The speaker, who is the bridegroom, lavishly praises his bride’s beauty, both with many flattering metaphors and through such an ancient-modern comparison. The link between the classical and modern worlds, however, is not entirely unbroken. The descriptions of the marriage ceremony also emphasize their Christian elements. Thus, the theme of the supremacy of Christianity is also established and carried through the work.
Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 510
The idea of the epithalamion, or wedding song, was not new with Spenser. Poets as early as Sappho, the Greek woman who wrote in the early sixth century b.c.e., composed such poems, as did many others, such as Pindar and Catallus, in Greek and Latin, in the intervening years. Although each poet naturally brought her or his own vision and style to the wedding song, the “epithalamia” share many images and themes. Spenser was well aware of this tradition and intentionally followed many of its conventions in this poem. One of the most complicated matters for the Renaissance poet who wrote in traditional forms was the balancing of conventional devices with contemporary demands. More specifically, Spenser had to find a way to utilize the conventional gods and goddesses of mythology in a poem about Christian marriage. He could well expect his contemporary readers to be familiar with mythology, especially with the stories recounted in Ovid’s Metamorphoses (c. 8 c.e.), and he uses allusions to these stories as a sort of shorthand. In the first stanza, the poet/ narrator announces that he will sing his love’s praises, and he points out that this is what “Orpheus did for his owne bride.”
Spenser’s readers would know that Orpheus had the power to charm animals and trees with his music and that he almost won his wife back from the underworld with his music. These readers would probably also relate this myth to Spenser’s courtship of his own bride through the powers of his music, by writing the sonnet sequence Amoretti for her.
In effect, the poet tells both those stories simply by using the one word “Orpheus.” This use of mythological allusion, along with the references to Muses and Graces, Hymen and Juno, reinforces the theme of repetition and tradition that is so important to this poem. Women and men have been marrying—and poets have been celebrating marriage—for thousands of years. The emphasis on tradition, and on the wedding guests and attendants, makes clear that marriage is important, not only to the couple, but to all of heaven and earth.
By marrying, and by bringing forth the “fruitfull progeny,” the couple will increase the number of “blessed Saints.” This reference to the saints at the end of the poem culminates a thread of Christianity which has continued through the whole poem. This is clearly a Christian marriage and a Christian ceremony.
When the bride enters into the sacred temple, the “pagan” and Christian are solidified as one. Although the term “temple gates” is not reminiscent of Christian churches, once past the gates the poet describes the roaring organs, the choristers, the holy priest, and the angels flying above the service and singing “Alleluya.” This is inarguably a Christian church.
This fusion of Christian and non-Christian elements was common for Spenser and for poets of the Renaissance. They saw the opportunity to borrow elements of the rich Greek and Roman traditions and to use them to show the continuity and universality of the Christian world.
Last Updated on June 19, 2019, by eNotes Editorial. Word Count: 149
Epithalamion by Edmund Spenser has three main themes: marriage, the adoration of the bride from the perspective of the groom, and mythology. These themes are present in the poem by design.
This is because an epithalamion is a Greek-rooted term that means "before the bridal chamber." Therefore, a epithalamion poem is meant to be about and in celebration of a wedding.
The poem features vivid descriptions of the bride's beauty, called a blazon, and a wish that the poem becomes akin to a priceless ornament cherished by the future-wife. The poem also features an imagining of the wedding in which both gods and humans attend.
Edmund Spenser references Orpheus and other mythological figures. This gives the poem and the wedding event itself a cosmically royal atmosphere. The insertion of the mythical element in Epithalamion also gives the occasion a sort of blessing for it to be long-lasting and happy.