Themes and Meanings
One might ask whether The Enigma of Arrival is an autobiography in the form of a novel, or a novel in the form of an autobiography. It is both and neither. The writer who narrates it is clearly Naipaul—facts of his life correspond to facts of Naipaul’s— but he is unnamed, titles of his other works are unnamed, and much is omitted, about Naipaul as well as about other “characters.” Naipaul is impatient of literary categories, but the title page calls the book a novel. The carefully shaped narrative is an inward one that ends where it begins, and much of the journeying within it is circular, the writer returning to central images, his perceptions of them shifting.
As the title suggests, a central theme of The Enigma of Arrival is the nature of “arrival” and the relations between journey and arriving. The title comes from a painting by the surrealist Giorgio de Chirico of a classical, Mediterranean scene of a wharf, walls, and gateways, and beyond them the mast of an ancient ship; the street in the foreground is deserted except for two muffled figures. “The scene is of desolation and mystery: it speaks of the mystery of arrival,” the writer thinks, and he entertains himself with a story in which the narrator arrives at the port, proceeds into the dangerous city, and nearly dies but escapes and finds his way back to the quayside. The ship is gone, though, and “the traveler has lived out his life.” At the time, the...
(The entire section is 445 words.)