Ellen Foster draws on several traditions, including that of a female Bildungsroman (the story of a young person’s growth and development), the plucky orphan, and the Southern heroine—the belle with an iron will. Yet Ellen is no Scarlett O’Hara, but rather an abused child from a poor, rural family who finds her own spiritual and intellectual resources for survival. Kaye Gibbons’ skillful rendering of Ellen’s gritty yet naïve child’s voice and her interweaving of Ellen’s struggles to survive her gruesome family with idyllic yet down-to-earth episodes from Ellen’s life with her beloved foster family make this short first novel unusually effective. Critics greeted it with nearly unanimous praise.
Though Ellen’s family members, with the exception of her mother, may seem incredibly evil, most of them would probably appear as perfectly normal, respectable people if one did not see them through Ellen’s eyes. Ellen’s alcoholic father is truly vicious, but the evil of Ellen’s aunts is mostly banal complacency and self-absorption. Ellen’s grandmother has allowed her life and her mind to be poisoned by bitterness against her daughter and her daughter’s husband; when one realizes that her hatred has driven her to the edge of insanity, her vengeance on Ellen—making her work like a slave and torturing her by blaming her for her mother’s death—seems understandable, though no less unforgivable. That Ellen attempts to overcome her grandmother’s hate indicates her strength of mind; she will not allow her life to be poisoned by bitterness.
Ellen’s strength and self-reliance form the central theme of the book, as suggested by its epigraph from Ralph Waldo Emerson’s essay “Self-Reliance.” Although Ellen acknowledges, sometimes indirectly, that she has been hurt, frightened, and sad, at times...
(The entire section is 760 words.)