Summary
Last Updated September 6, 2024.
Scene I
The opening scene unfolds at London Hospital where Dr. Treves, the new anatomy
lecturer, presents his credentials to the hospital administrator, Carr Gomm.
They agree on a salary, and Gomm mysteriously mentions that the salary is an
excellent consolation prize.
Scene II
In a shop, Ross is collecting money for people to view John Merrick, whom he
describes as a freak of nature. Treves enters, stating he will not pay if it is
a trick. After seeing Merrick, Treves pays Ross and they agree that Treves will
pay a fee to take Merrick for a day to study his condition.
Scene III
During a lecture, Treves shows slides of Merrick and details the nature of his
deformities. Merrick is present and demonstrates his infirmities upon request.
An audience member tells Treves that he cannot allow Merrick to return to the
freak show.
Scene IV
In Brussels, the pinheads are being prepared to sing by the Man. Ross and
Merrick arrive, and Merrick tells the pinheads that he has earned a lot of
money, which Ross is holding. Merrick also expresses his happiness. The Man
reenters and instructs the pinheads to sing.
At that moment, a policeman enters and orders the show to stop. Ross returns and tells Merrick he has become a liability. After stealing Merrick’s money, Ross hands him over to the conductor, who agrees to drop Merrick at Liverpool Station in exchange for some money. The scene concludes with Merrick declaring he has been robbed.
Scene V
Merrick arrives in London, and a policeman and the conductor hide him to
protect him from the mob. Merrick attempts to speak, but his words are hard to
understand; the policeman and conductor assume he is an imbecile. They find
Treves’s card in Merrick’s pocket and summon the doctor.
Scene VI
Treves interviews Nurse Sandwich, hoping she can care for Merrick. Several
other nurses have been too repulsed by his appearance to care for him. Despite
claiming extensive experience with severe diseases in Africa, Miss Sandwich is
equally frightened and flees the room.
Scene VII
The bishop and Gomm discuss Merrick’s potential for biblical instruction. The
bishop feels it is his Christian duty to help Merrick with religious
instruction and is pleased that Treves is also a Christian.
Scene VIII
Treves informs Merrick that he now has a home for life and will never need to
be exhibited again. Treves pressures Merrick to acknowledge his good fortune,
repeatedly forcing him to express gratitude and admit that following certain
rules will make him happy. This demonstrates that Treves views Merrick as a
child incapable of independent thought.
Scene IX
Treves introduces an actress, Mrs. Kendal, to Merrick. He explains that Merrick
is extremely lonely and needs more social interaction. Mrs. Kendal inquires
about Merrick’s condition and whether it affects his sexual functions. Although
Treves is hesitant to discuss such matters with a woman, he eventually
confesses that Merrick is normal in that regard.
Scene X
Mrs. Kendal visits Merrick, and they converse about Romeo and Juliet, a play
she has performed in multiple times. Their animated discussion reveals
Merrick's intellectual depth and capacity for profound thought.
Impressed by Merrick's ability to delve beyond surface-level interpretations, Mrs. Kendal tells Treves that Merrick should meet some of her acquaintances. As she departs, she shakes Merrick’s hand, and he is heard sobbing softly in the background.
Scene XI
Merrick is busy constructing a model of St. Phillip’s Church. He receives visits from several prominent society members, each leaving a Christmas gift for him. After they depart, Treves and Merrick discuss the model and...
(This entire section contains 1127 words.)
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the concept of perfection.
Scene XII
Merrick’s visitors, including Mrs. Kendal, Gomm, and the bishop, each perceive
him as similar to themselves. However, they fail to recognize that Merrick
possesses a distinct and unique personality.
Scene XIII
Lord John and Treves have a conversation with undisclosed details, but it seems
John might be a swindler. Merrick overhears and becomes anxious about
potentially losing his home at the hospital if the funds are depleted.
Scene XIV
Merrick confides in Mrs. Kendal about never having seen a woman’s bare body.
She begins to undress, and just as Merrick turns to look, Treves enters. As a
proper Victorian gentleman, he is appalled by the sight and commands Mrs.
Kendal to cover herself immediately.
Scene XV
Ross returns and requests Merrick’s assistance, suggesting that Merrick charge
his esteemed visitors for their visits. Merrick, recalling that Ross previously
robbed him, refuses to participate in his scheme.
Scene XVI
Treves shares a story with Merrick about a patient he operated on who came back
to life. Clearly hurt by Mrs. Kendal's banishment, Merrick questions Treves
about his feelings towards the women he operates on and their nudity.
When Merrick asks if Mrs. Kendal might return, Treves responds that she would not choose to do so. The scene concludes with Treves muttering to himself that he does not wish for her to witness Merrick’s death.
Scene XVII
Treves dreams that Merrick has come to take him away from Gomm and back for
examination. Gomm, disguised as Ross, refers to Treves as a dreamer.
Scene XVIII
The dream continues: Merrick is giving a lecture, describing Treves as
self-satisfied and incapable of truly giving of himself. He also portrays
Treves as sexually repressed, more focused on controlling his emotions than on
empathizing with those around him. This scene mirrors an earlier one where
Treves presented Merrick at a lecture.
Scene XIX
Treves informs Gomm that Merrick is dying. He notes the irony that just as
Merrick has managed to achieve a semblance of normalcy, his body is failing
him. The bishop steps away from Merrick, where they have been praying together,
and tells Treves that he finds the depth of Merrick’s religious belief
profoundly moving.
Treves appears to be in despair over the meaninglessness of his life and mourning something lost. As Treves collapses into tears, Merrick places the final piece in the model of St. Phillip’s that he has been building.
Scene XX
Snork brings Merrick his lunch. After eating, Merrick falls asleep sitting
up—only in this position can he prevent the weight of his head from killing
him. In a dream, the pinheads enter, singing, and lay him down. Merrick dies,
and Snork enters to find his body.
Scene XXI
Gomm reads a letter he will send to the newspaper announcing Merrick’s death in
his sleep. The letter includes a brief summary of how the hospital tried to
make Merrick’s life easier. The remaining funds, previously donated for
Merrick's care, will be allocated to the hospital’s general fund. The play
concludes with the reading of the letter.