Elena Garro Criticism
- Introduction
- Principal Works
-
Essays
- Myth and Archetype in Recollections of Things to Come
- Visual and Verbal Distances in the Mexican Theater: The Plays of Elena Garro
- Recollections of Plays to Come: Time in the Theatre of Elena Garro
- Romancing the Stone in Elena Garro's Los recuerdos del porvenir
- Elena Garro's Recollections of Things to Come: ‘Exiles from Happiness’
- Tracking the Feminine Subject in Elena Garro's El Rastro
- The Theme of the Avenging Dead in ‘Perfecto Luna’: A Magical Realist Approach
- Absurdity, Death, and the Search for Meaning in Two of Elena Garro's Novels
- Text and Authority in Elena Garro's Reencuentro de personajes
- Inscribing and Incorporating the Marginal: (P)Recreating the Female Artist in Elena Garro's Recollections of Things to Come
- Insiders, Outsiders, and the Slippery Center: Marginality in Los recuerdos del porvenir
- Elusive Dreams, Shattered Illusions. The Theater of Elena Garro
- Self-Representation, Silence, and the Discourse of Madness in Testimonios sobre Mariana
- Dis(re)membered Bodies and Temporal Games in the Texts of Elena Garro
- Further Reading