The Electric Kool-Aid Acid Test Critical Context - Essay

Tom Wolfe

Critical Context

(Literary Essentials: Nonfiction Masterpieces)

The 1960’s was an era of social and cultural change in the United States. In prose, the upheaval resulted in that particular form of literary postmodernism known as metafiction, as well as a form of reportage that in 1973 Tom Wolfe dubbed the New Journalism. What writers as diverse as Wolfe, Gay Talese, Norman Mailer, Joan Didion, Truman Capote, Jimmy Breslin, and Dan Wakefield have in common is the appropriation of novelistic devices for their journalistic writing, a perception of reality as a kind of imaginative literature, and, finally, the forgoing of objectivity and the placing of the journalist in the role of subjective narrator-participant. The result was a journalistic prose to which narrative voice and style were more central than factual content. More broadly, the New Journalsim served, as John Hellman has pointed out, to free the journalistic object from journalistic formulas that had become so common as to obscure and even replace it. The New Journalism emphasized not only the power but also the tentativeness of perception. (Like the metafictionists, the New Journalists understood that perception is not passive but transformational.) Finally, the New Journalism moves in two complementary directions: deeper into fact (and away from formulas) and deeper into private consciousness (including, and often especially, the New Journalist’s). Wolfe saw the New Journalism filling the void left by novelists who had become preoccupied with purely formal...

(The entire section is 509 words.)