Johann Wolfgang von Goethe’s middle years as a classicist were bracketed by early and late years dominated by Romantic characteristics. Elective Affinities is a product of that late Romanticism. As he aged, however, Goethe was less adamant than he was in his younger days about his own adherence to any set of aesthetic principles. As a consequence, Elective Affinities contains elements of both classicism—primarily in form—and Romanticism—mainly in content. The novel has a classic symmetry of form that complements the symmetrical arrangement of the four protagonists, dividing the married couple, Edward and Charlotte, between their two guests, Ottilie and the Captain. The classic harmonious structure of Elective Affinities is created by its cool, formal, generally unemotional style—particularly evident in the distancing between narrator and action evoked by Goethe’s use of a third-person narrator. These classical qualities lead to the expectation that the issues with which the novel deals will be rigorously pursued to the necessary logical conclusion.
Such, however, is not the case, because Goethe treats content from a predominantly Romantic perspective. In Elective Affinities, the absolute moral imperative of classicism collides with the irresistible force of Romantic natural law. The classical view would mandate that society emerge the victor. Indeed, classic orthodoxy would reject the simultaneous existence...
(The entire section is 500 words.)