[Morgan] makes statements, lots of them, and his poems are not ingenious but deeply intelligent. Since the death of Auden, who brought a tremendous range of speculation and knowledge into his poetry, Morgan seems to me to stand out almost unchallenged as a poet of ideas.
In case I seem to be saying that Morgan is a poet like Auden, let me add at once that he has nothing like the same gift for the felicitous phrase and is altogether a heavier, more viscous writer. He resembles Auden only insofar as the two of them are natural intellectuals. (p. 75)
Morgan, for his part, is a poet of amplitude. He is interested in so many things, the beam of his vision flashes round so widely, that he...
(The entire section is 753 words.)