Edwidge Danticat

Start Free Trial

Edwidge Danticat Biography

Edwidge Danticat is one of the few successful Haitian authors to write in English. Danticat’s parents moved from Haiti to New York, leaving Danticat and her brother with their aunt and uncle for many years. She was exposed to storytelling throughout this period, and it greatly influenced her development as a writer later on. Danticat felt very isolated while her parents were away and keenly felt their loss. Even though she moved to New York to join them when she was twelve, she never forgot the pain of being motherless, even for a short time. Her thesis for her MFA in creative writing was published in 1994. While not purely autobiographical, the work does deal with a young Haitian woman and her struggle to assimilate into American society.

Facts and Trivia

  • Danticat’s first attempt at writing came when she received a set of Ludwig Bemelmans's Madeline books. She then wrote Madeline stories with herself as the main character.
  • After earning her MFA, Danticat worked for filmmaker Jonathan Demme. One of her jobs was as an associate producer for a documentary about torture in Haiti called Courage and Pain.
  • Danticat published a collection of short stories in 1995 called Krik? Krak! The title is based on her native Creole language. The question “Krik?” is equivalent to asking permission to tell a story. The reply “Krak!” means, “Sure!”
  • In 1998, Breath, Eyes, Memory became an Oprah’s Book Club selection.
  • Krik? Krak! was nominated for the National Book Award in 1995.

Edwidge Danticat Study Tools

Ask a question Start an essay

Biography

Download PDF PDF Page Citation Cite Share Link Share

Edwidge Danticat, a celebrated author, was born on January 19, 1969, in Port-au-Prince, Haiti. Her early years were marked by separation from her parents, first from her father when she was just two, and later from her mother at age four, as they both moved to the United States seeking better economic opportunities. This left Danticat and her younger brother Eliab in the care of their paternal uncle, a minister living with his family in the humble neighborhood of Bel Air.

Adapting to Life in America

At the age of twelve, Edwidge joined her parents in Brooklyn, New York, reuniting with them and meeting her two new younger siblings. This transition proved to be challenging, especially as she struggled with a new language and unfamiliar cultural landscape. Her peers in school often called her a "Haitian boat person," highlighting the prejudice she faced as a newcomer. Reflecting on this period, she told Mallay Charters in Publishers Weekly, "My primary feeling the whole first year was one of loss. Loss of my childhood, and of the people I'd left behind—and also of being lost. It was like being a baby—learning everything for the first time.”

Storytelling Roots

Her formative storytelling skills were nurtured back in Haiti by her aunt's grandmother, an elderly woman whose remarkable presence and braided hair adorned with coins captivated local children. In her company, Danticat was introduced to a rich tapestry of folktales and family histories, where "call-and-response" dynamics enlivened the experience. Danticat reminisced to Charters, "If the audience seemed bored, the story would speed up, and if they were participating, a song would go in. The whole interaction was exciting to me." These moments offered a rare opportunity for children to engage equally with their elders.

Influential Figures and Synchronicity

Another pivotal influence in Danticat's life was her cousin, Marie Micheline, who first taught her to read. As Danticat recounted to Renee H. Shea in Belles Lettres, "I started school when I was three, and she would read to me when I came home." Tragically, Marie Micheline's life was cut short in 1987 during a violent incident near her home, a loss Danticat intuitively sensed before being informed by her family. "But around that same time, I was having nightmares; somehow I knew," she said.

Early Writing and Inspiration

By the age of seven, Edwidge was crafting stories featuring Haitian heroines, fully aware of the dangerous climate for writers in Haiti. "At the time that I started thinking about writing," she shared with Calvin Wilson in the Kansas City Star, "a lot of people who were in jail were writers. They were journalists, they were novelists, and many of them were killed or ‘disappeared.’" Despite this, she was undeterred and continued her writing pursuits, eventually contributing to her high school newspaper in Brooklyn. One article, which chronicled her emotional reunion with her mother, later blossomed into her acclaimed book, Breath, Eyes, Memory.

Academic and Literary Achievements

Edwidge Danticat completed her undergraduate studies at Barnard College, earning a degree in French literature in 1990. While working as a secretary, she dedicated her evenings to writing, balancing her aspirations between business school and creative writing programs. Opting for the latter, she accepted a full scholarship to Brown University’s creative writing program, where she developed her master's thesis into what would become her debut novel, Breath, Eyes, Memory.

Literary Contributions and Recognition

Her literary debut was followed by two other significant works, The Farming of Bones and Krik? Krak!, a poignant collection of stories. These books have been praised for their lyrical beauty, vivid portrayal of Haitian life, and their unflinching exploration of themes such as fear and suffering. Edwidge Danticat's narrative talents have not gone unrecognized; she has received a Granta Regional Award as one of the Twenty Best Young American Novelists, a Pushcart Prize, and various fiction awards from Seventeen and Essence magazines. Her ongoing creative endeavors are supported by a grant from the Lila Wallace-Reader's Digest Foundation.

Get Ahead with eNotes

Start your 48-hour free trial to access everything you need to rise to the top of the class. Enjoy expert answers and study guides ad-free and take your learning to the next level.

Get 48 Hours Free Access
Next

Critical Essays

Loading...