Introduction
Edward W. Said 1935–2003
The following entry presents an overview of Said's career through 1996.
Palestinian-born American critic and essayist.
A Palestinian refugee in his youth and a respected though controversial professor of English and comparative literature at Columbia University, Said (pronounced sah-EED) is an influential and often polemical cultural critic. Said is a public intellectual who frequently writes about the Arab-Israeli conflict in the Middle East and actively supports the cause for Palestinian national rights. His most celebrated and contentious work, Orientalism (1978), which examines Western representations of Middle Eastern societies and cultures, established his reputation for innovative and provocative explorations of the interrelationships between texts—literary and otherwise—and the political, economic, and social contexts from which they emerged. In his writings Said adopts a Continental, interdisciplinary approach to literary criticism and uses the principles of phenomenology, existentialism, and French structuralism to make connections between literature and politics. Although his theories and methods have exerted a profound influence on the American academy, especially on literary theory and cultural studies, Said often is the target of phone threats and hate letters, principally for his unwavering advocacy of Palestinian political and cultural rights in the Middle East. "Said occupies a unique place in contemporary literary criticism," wrote John Kucich. "He is a much-needed link among humanistic values and traditions, theories of textuality, and cultural politics. His work is … a careful integration from these various positions and an original prescription for the renovation of literary and cultural study."
Biographical Information
Said was born November 1, 1935, in Jerusalem in what was then Palestine. The only son of Wadie and Hilda Musa Said, prominent members of the Christian Palestinian community, he was baptized as an Anglican and attended St. George's, his father's alma mater. In December, 1947, his family fled to Cairo, Egypt, to avoid the turmoil surrounding the establishment of Israel as a nation. In Cairo, Said studied at the American School and Victoria College, the so-called "Eton of the Middle East," before he completed his secondary education at a preparatory school in Massa-chusetts. Said became a naturalized citizen of the United States in 1953. After graduating from Princeton University in 1957, he undertook graduate studies in comparative literature at Harvard University, where he earned his M.A. in 1960 and his Ph.D. in 1964. His dissertation on the psychological relationship between Joseph Conrad's short fiction and his correspondence became his first published book, Joseph Conrad and the Fiction of Autobiography (1966). Hired as an instructor in English at Columbia University in 1963, Said became a full professor by 1970; his distinguished teaching career at Columbia included two endowed chairmanships in the 1980s and 1990s. Said enhanced his growing reputation for literary scholarship with Beginnings (1975), which won Columbia's Lionel Trilling Award in 1976. During the 1970s Said actively involved himself in the Palestinian cause by writing numerous essays for scholarly journals and independent publications. From 1977 to 1991 he belonged to the Palestinian National Council, the Palestinians' parliament in exile, meeting Yasir Arafat many times and helping to draft the Palestinian declaration of statehood in 1988. Said pursued his work following the groundbreaking Orientalism, which was nominated for a National Book Critics Circle Award, with the publication of two "sequels," The Question of Palestine (1979) and Covering Islam (1981); the essay collection, The World, the Text, and the Critic (1983); and a meditative essay on Palestinian identity featuring the photographs of Jean Mohr, After the Last Sky (1986). During the 1980s and 1990s, Said was named to several visiting professorships and lectured extensively on both literary and political themes. In 1991 he published Musical Elaborations, a volume of original music criticism that grew out his lifelong fondness for playing the piano. Said was diagnosed with leukemia in 1993. His subsequent works—Culture and Imperialism (1993), The Politics of Disspossession (1994), Representations of the Intellectual (1994), and Peace and Its Discontents (1995)—continue to provoke controversy.
Major Works
Said's writings cover diverse topics, but at their center lies a concern for the multiple relationships between the act of writing and cultural politics, language and power. Beginnings theorizes about the reasons several writers begin their works the way they do, demonstrating that prevailing cultural ideas of the beginning act change and limit a writer's choice to begin. Orientalism reveals how Western journalists, fiction writers, and scholars helped to create a prevalent and hostile image of Eastern cultures as inferior, stagnant, and degenerate, showing the extent to which these representations permeate Western culture and have been exploited to justify imperialist policies in the Middle East. Orientalism provides much of the theoretical and thematic groundwork for many of Said's subsequent works, and it contains the dictum of orientalism: "They cannot represent themselves; they must be represented." The Question of Palestine outlines the history of the Palestinians and the Arab-Israeli conflict, describing the opposition between an Israeli world informed by Western ideas and the "oriental" realities of a Palestinian culture. Covering Islam, elucidating the themes of Said's previous books in more practical terms, investigates the influence of orientalist discourse on the Western media's representation of Islamic culture. Written between 1968 and 1983 on wide-ranging literary and political topics, the twelve essays comprising The World, the Text, and the Critic offer an assessment of contemporary criticism and scholarship in the humanities, highlighting Said's notions of "antithetical knowledge" and the synthesis of literary and political writing. Culture and Imperialism examines how imperialism, the "culture of resistance," and postcolonialism helped to shape the French and English novel, exemplified by close, provocative readings of Conrad, Rudyard Kipling, Albert Camus, W. B. Yeats, and Jane Austen. The essays in The Politics of Dispossession critique the Islamic revival, Arab culture, Palestinian nationalism, and American policy in the Middle East, revealing a moderating stance toward Israel and a distancing from the Palestinian Liberation Organization (P.L.O.). Representations of the Intellectual is a case study of the intellectual persona.
Critical Reception
Owing partly to the nature of his thought and partly to his allegiance to the Palestinian cause, Said has generated controversy upon publication of nearly every book. Despite his persistent denials, he has been questioned about terrorism throughout the course of his career. Robert Hughes has reported that "none of Said's political foes have been able to cite a single utterance by him that could be construed as anti-Semitic or as condoning either tyranny or terrorism." Most scholars, however, have recognized the extent to which his oppositional criticism has influenced debate beyond literary issues and cultural politics, especially Orientalism, which has been cited as often as criticized by literary theorists, historians, anthropologists, and political scientists—the book even has spawned a new subdiscipline, the cultural study of colonialism. "The Orient was a product of the imagination," opined Albert Hourani of that book, "and Mr. Said's delicate and subtle methods of analysis are good tools for laying bare the structure of the literary imagination." Dinitia Smith remarked that Orientalism "has changed the face of scholarship on the Arab world and the Third World in general." Although many critics have praised the study, some have focused on imperfections in the argument of Orientalism, accusing Said of perpetuating the same Eastern stereotypes for which he had faulted the Western imperialist. Some critics have noted that although many of Said's writings have been translated into many different languages, his books on Palestinian affairs had not been published in Arabic by 1994. Robert Hughes has described Said as "a scholar and humanist,… the controversial voice of Palestine in America and an eloquent mediator between the Middle East and the West."