Edward Kamau Brathwaite Analysis

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(Poets and Poetry in America)

Edward Kamau Brathwaite (BRATH-wayt) has published scores of books, articles, and reviews as a historian and literary critic. Among his historical studies are The Development of Creole Society in Jamaica, 1770-1820 (1971), which was his dissertation in college in the 1960’s; Contradictory Omens: Cultural Diversity and Integration in the Caribbean (1974); Caribbean Man in Space and Time (1974); and History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry (1984). His historical studies have delineated the historical pressures that have shaped modern-day Caribbean life. He is particularly interested in the transmission of African culture to the New World, the “’little’ tradition of the ex-slave,” and its promise to serve as a “basis for creative reconstruction” in postemancipation, postcolonial Creole society. His literary criticism has sought out the presence of African traditions in Caribbean literature and has helped to develop a vigorous, indigenous school of West Indian criticism. Brathwaite’s work as poet, critic, and historian has made available to a wide audience the rich cultural heritage of Caribbean people.


(Poets and Poetry in America)

Edward Kamau Brathwaite is one of the most popular and critically acclaimed writers to emerge in the West Indies during the remarkable period in the region’s history and literature following World War II. He epitomizes the intensified ethnic and national awareness of his generation of writers—which includes Derek Walcott, Wilson Harris, Michael Anthony, Martin Carter, Samuel Selvon, John Hearne, and Austin Clarke, to name several of the more prominent—whose writing seeks to correct the destructive effects of colonialism on West Indian sensibility.

For his efforts, Brathwaite has earned a number of honors. He received an Arts Council of Great Britain bursary and a Camden Arts Festival prize (both in 1967), the Cholmondeley Award (1970) for Islands, a Guggenheim Fellowship (1972), a City of Nairobi Fellowship (1972), the Bussa Award (1973), a Casa de las Americas Prize for Poetry (1976), a Fulbright Fellowship (1982), an Institute of Jamaica Musgrave Medal (1983), the Neustadt International Prize for Literature (1994) and the Griffin Poetry Prize (2006) for Born to Slow Horses. He has served on the board of directors of UNESCO’s History of Mankind project since 1979 and as cultural advisor to the government of Barbados from 1975 to 1979 and again beginning in 1990. Over the years, Brathwaite has taught at a number of universities, including the University of the West Indies, University of Nairobi, Harvard University, Yale University, and New York University, where he became professor of comparative literature.


(Poets and Poetry in America)

Bobb, June. Beating a Restless Drum: The Poetics of Kamau Brathwaite and Derek Walcott. New York: Africa World Press, 1997. Exploring the commonalities and differences between Braithwaite and Walcott, this study focuses on their engagements with the history, culture, and mythology of the Afro-Caribbean experience and their contributions to the development of modern Caribbean poetics.

Brown, Stuart. The Art of Kamau Brathwaite. Bridgend, Mid Glamorgan, Wales: Seren, 1995. This collection of critical essays presents some of the most informed and cogent ways to approach Brathwaite’s varied body of work. By looking at most of his work, it allows the reader to discover Brathwaite the critic, the historian, the poet, and the essayist.

Naylor, Paul. “Kamau Brathwaite: Tidalectic Rhythms.” Poetic Investigations: Singing the Holes in History. Evanston, Ill.: Northwestern University Press, 1999. The author argues that Brathwaite’s work can be understood as a “creolization” of Caribbean, African, and Euro-American culture.

Pollard, Charles W. New World Modernisms: T. S. Eliot, Derek Walcott, and Kamau Brathwaite . Charlottesville: University of Virginia Press, 2004. Pollard argues that the cosmopolitanism of postcolonial writers like Walcott and Brathwaite has been influenced...

(The entire section is 889 words.)