Eavan Boland Criticism
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Boland, Eavan (Contemporary Literary Criticism)
- Introduction
- Principal Works
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Criticism
- Ecriture Feminine and the Authorship of Self in Eavan Boland's In Her Own Image
- Q. and A. with Eavan Boland
- Framed in Words
- A Passion for the Ordinary
- In Common Usage: Eavan Boland's Poetic Voice
- Eavan Boland's Journey with the Muse
- The Delirium of the Brave
- Mad Ireland Hurts Her Too
- Finding a Voice Where She Found a Vision
- Anxiety, Influence, Tradition and Subversion in the Poetry of Eavan Boland
- Sappho's Daughter
- In a Time of Violence
- Paroling Sweet Euphony
- The Woman as Icon, the Woman as Poet
- Further Reading
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Boland, Eavan (Poetry Criticism)
- Introduction
- Principal Works
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Criticism
- ‘We Were Never on the Scene of the Crime’: Eavan Boland's Repossession of History
- Inside and Outside History
- ‘An Origin like Water’: The Poetry of Eavan Boland and Modernist Critiques of Irish Literature
- Eavan Boland's Outside History and In a Time of Violence: Rescuing Women, the Concrete, and Other Things Physical from the Dung Heap
- Postcolonialism in the Poetry and Essays of Eavan Boland
- Righting Irish Poetry: Eavan Boland's Revisionary Struggle
- A Certain Slant of Light
- Ireland's Best
- ‘Hazard and Death’: The Poetry of Eavan Boland
- ‘A Deliberate Collection of Cross Purposes’: Eavan Boland's Poetic Sequences
- Irish Critical Responses to Self-Representation in Eavan Boland
- ‘The Laws of Metaphor’: Reading Eavan Boland's ‘Anorexic’ in an Irish Context
- The Doubled Edge: Identity and Alterity in the Poetry of Eavan Boland and Nuala Ní Dhomhnaill
- Revisionist Cartography: The Politics of Place in Boland and Heaney
- The Fabrics and Erotics of Eavan Boland's Poetry
- Boland's ‘Lava Cameo’
- Further Reading