Discussion Topic

Analysis of the depiction and romanticization of nature in "The Eagle"

Summary:

In "The Eagle," nature is depicted and romanticized through vivid imagery and powerful language. The poem highlights the majesty and strength of the eagle, perched high and surveying its domain. The use of descriptive phrases like "ring'd with the azure world" and "close to the sun" emphasizes the bird's grandeur and the sublime beauty of the natural world.

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How does the poet describe nature in "The Eagle"?

This is an interesting question. The poem is only six lines, and about half of those lines are dedicated to describing the eagle. On one hand, you could make a claim that the eagle is part of the nature that the question is asking about. On the other hand, you could claim that the eagle exists outside of the nature that this question is asking about; however, I don't feel it is appropriate to separate the eagle from nature. Nature is all about the interdependence of abiotic and biotic factors within any given ecosystem. Removing any one of those factors can create huge problems for nature; therefore, I believe that the eagle and nature should be treated as one. If I had to pick just a couple of adjectives to describe nature in this poem, I would say majestic and powerful. The eagle is presented to readers as being high up. He is close to the sun, or watching from mountain walls. It's a ruling position. Kings are set up on thrones that are elevated above ground level. Even Simba from The Lion King was presented to his kingdom from a high mountain overlook. The eagle is also "ring'd" in the way that a king's head is ringed with a crown. As for the powerful aspect of nature in this poem, the eagle "clasps." He doesn't gently hold. His powerful wings allow him to be close to the sun, and he descends with the intensity of a thunderbolt; he doesn't gently float to the ground.

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Nature is used in the poem as a way of highlighting the characteristics of the eagle. The eagle, though an animal and therefore part of the natural world, is at the same time set apart from it. His strength and vitality are contrasted to the "wrinkled sea" beneath him, the sea that "crawls." The sea is being presented here almost as if it were an old man, whereas the eagle is young and full of vigor, able to swoop down suddenly like an almighty great thunderbolt.

Other features of the natural world are used by Tennyson to provide a dramatic background against which the eagle's majestic bearing shines forth. He is "ring'd with the azure world," surrounded by the blue of the sky above and the ocean beneath the mountain on which he stands. Crucially, the eagle clasps the crag, not with feet or claws, but with "hands." Tennyson's use of the word serves once more to illustrate the clear distinction between the eagle and his natural surroundings. There is something almost human about him.

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Discuss how the poet represents nature in the poem "The Eagle".

Let's look at this short poem of only six lines:

He clasps the crag with crooked hands; 
Close to the sun in lonely lands, 
Ring'd with the azure world, he stands. 
The wrinkled sea beneath him crawls; 
He watches from his mountain walls, 
And like a thunderbolt he falls.
The poem focuses entirely on the natural world, never mentioning a human being. In it, Tennyson uses images to help us visualize the eagle, the central image in the poem. Tennyson uses personification to help us identify with the eagle. Instead of saying he has claws, he says the eagle clasps the crag (rock) with "hands." This is all the more striking, as it would complete the line's alliteration to say claws. Alliteration is using the same first consonant repeatedly in a line: in this opening line, Tennyson already has "clasps," "crag," and "crooked," so avoiding claws adds emphasis to the personification. It also allows all three last words of the three lines in the stanza to rhyme, as do the last words in the second stanza.
Tennyson provides other images of the natural world. "Wrinkled sea" is a poetic way of saying the sea is wavy or churning, waves do look like wrinkles as they ripple on the surface of the water, heading for shore. He also mentions that the eagle is surrounded by "the azure world." Azure means blue, so we can imagine the eagle high up on a rocky mountain crag, framed by the blue sky with the churning sea below him.  
The last line conveys a sense of motion as the eagle falls quickly toward the water, perhaps swooping to catch prey. 
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How does the poem "The Eagle" portray the glory of nature with realism?

Alfred, Lord Tennyson briefly but vividly describes the behavior of the titular bird in his poem "The Eagle." It is accurate to say that Tennyson's poem portrays both "the glory of nature" and realism because his imagery and diction convey the power of the eagle while also faithfully representing its actions.
The first of the two stanzas reads:
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands. (1–3)
This stanza portrays the eagle perched on a mountain "crag." Tennyson uses alliteration ("clasps," "crag, "crooked"; "lonely lands") to establish a rhythm. He also incorporates vivid imagery so that the reader can picture the eagle. He seems to be surveying the land around him. The poetic phrase "Ring'd with the azure world" shows us that the eagle "stands" above and within this blue sky. The eagle has not taken any action yet, but he will do so in the next and final stanza.
Tennyson writes,
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls. (4–6)
The first two lines of this stanza continue the theme of the first stanza in that the eagle remains above the scene, watching intently. The water flows beneath him. He is perched on "his mountain walls," the "crag" from line 1. The final line, though, dramatically alters the image of the poem: "like a thunderbolt he falls." Suddenly, the eagle is in motion. We know, because of the poem's realism and our understanding of nature, that the eagle has spotted prey and is moving toward it quickly. The simile in line 6 emphasizes his speed and power. The descriptions of the world around him and the motion of the eagle in the last line support "the glory of nature." The entire poem is realistic because it describes a landscape faithfully and vividly, while it also depicts the actual behaviors of the eagle.
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What are the romantic features of the poem "The Eagle" that combine nature with the poet?

Critic Herbert F. Tucker wrote of Tennyson's poetry:

Tennyson’s theme and imagery gravitate toward some inevitable ground on the power of God, the drift of nature, or the obsessions of human nature.

Romanticism is a literary movement that celebrates nature, beauty, and the imagination. In Tennyson's "The Eagle," the speaker seems to follow the movements of the majestic eagle. Here are some of the elements of Romanticism present in this poem:

  • Emphasis on individual experience: The eagle is central to the action of the poem; he watches from atop a rock. Then, when he sees a fish in the sea, he dives like "a thunderbolt."
  • Celebration of nature, beauty, and imagination: Lines such as "Ringed with the azure world, he stands" and "the wrinkled sea beneath him crawls" have vivid imagery in their descriptions of the beauty of nature. The power of imagination is evinced in the simile of how the eagle falls upon his prey "from his mountain walls" In addition, there is a rather optimistic view of Nature and the eagle seems powerful, independent, and very strong.

This poem, like many written during the Romantic movement, is inspiring due to its appeals to the senses of the reader or listener. For instance, when the eagle dives, the reader can almost sense the energy conveyed by the word "thunderbolts." Certainly, this poem appeals to the imagination of its reader.

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In Tennyson's "The Eagle," how is the hawk's appearance described?

Tennyson's poem is notable for the description it does NOT give us of the hawk.  The only direct description of its physical characteristics is in line one, where he describes its "crooked hands".  The rest of the poem is given to a description of the hawk's surroundings, "close to the sun", "the azure world", the "wrinkled sea", the "mountain walls". By recreating the permanent majesty of the world around it, Tennyson leaves it to our imagination and own background knowledge to visualize the bird.  This technique is marvelously effective because it makes us focus on the bird's spirit, indomitable and free, more than its physical state, which, by most interpretations, is old and infirm with age.

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