E. M. Forster Long Fiction Analysis
E. M. Forster’s most systematicexposition of the novelist’s art, Aspects of the Novel, is no key to his own practice. Written three years after the publication of A Passage to India, the work surveys neither his achievement nor his intentions. While full of the insights, charm, and homely but colorful metaphors that also distinguish Virginia Woolf’s Common Reader volumes (1925, 1932), the book is an enthusiast’s, rather than a working writer’s, view of the novel, as if Forster were already distancing himself from the form that earned him his fame as a writer.
A lecture given twenty years later by Lionel Trilling, who had already published his book on Forster, gives a better sense of...
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