Further Reading
- Cohen, Milton A., "Perception: Seeing the Whole Surface," in Poet and Painter: The Aesthetics of E. E. Cummings' Early Work, pp. 85-115, Detroit: Wayne State University Press, 1987. (Discusses Cummings’s early interest in the science of perception and its influence on his literary and artistic aesthetic.)
- Cureton, Richard D., "Visual Form in e. e. cummings’ No Thanks," Word and Image: A Journal of Verbal Visual Enquiry (July-September 1986): 245-77. (Explores the meaning and significance of Cummings’s visual form in his most experimental volume of poetry.)
- Kennedy, Richard S., "The Emergent Styles," in Dreams in the Mirror: A Biography of E. E. Cummings, pp. 115-32, New York: Liveright Publishing Corporation, 1980. (Explores the period of time when Cummings developed and refined the styles for which he would later become noted.)
- Miller, Lewis H., Jr., "Advertising in Poetry: A Reading of E. E. Cummings’ ‘Poem, or Beauty Hurts Mr Vinal’," Word and Image: A Journal of Verbal Visual Enquiry 2, no. 4 (October-December 1986): 349-62. (Analyzes and explains the allusions to advertisements in “Poem, or Beauty Hurts Mr Vinal.”)
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