Dystopias in Contemporary Literature Criticism: Feminist Readings Of Dystopias - Essay

Kathryn M. Grossman (essay date 1987)

(Contemporary Literary Criticism)

SOURCE: Grossman, Kathryn M. “Woman as Temptress: The Way to (Br)Otherhood in Science Fiction Dystopias.” Women's Studies 14, no. 2 (1987): 135-45.

[In the following essay, Grossman explores depiction of women as the “other” in several dystopian novels—including Isaac Asimov's The End of Eternity and Ray Bradbury's Fahrenheit 451—noting that it is often the character of the female temptress who reveals the world as it really is.]

All fiction is metaphor. … Space travel is one of these metaphors; so is an alternative society, an alternative biology; the future is another. The future, in fiction, is a metaphor.


(The entire section is 4349 words.)

Peter Fitting (essay date 1990)

(Contemporary Literary Criticism)

SOURCE: Fitting, Peter. “The Turn from Utopia in Recent Feminist Fiction.” In Feminism, Utopia, and Narrative, edited by Libby Falk Jones and Sarah Webster Goodwin, pp. 141-58. Knoxville: The University of Tennessee Press, 1990.

[In the following essay, Fitting discusses the role of women in several dystopian novels written by women, arguing that the works offer a response to the earlier utopian tradition in which the place of women in society was often limited and marginalized.]

I'm the type of person that puts women on a pedestal. But in my opinion, which I base on the Bible, I believe God's perspective is that women should not be in certain...

(The entire section is 6171 words.)

Elizabeth Mahoney (essay date 1996)

(Contemporary Literary Criticism)

SOURCE: Mahoney, Elizabeth. “Writing So to Speak: The Feminist Dystopia.” In Image and Power: Women in Fiction in the Twentieth Century, edited by Sarah Sceats and Gail Cunningham, pp. 29-40. London: Longman, 1996.

[In the following essay, Mahoney examines how women challenge male authority and inherited gender stereotypes in Margaret Atwood's The Handmaid's Tale and Vlady Kociancich's The Last Days of William Shakespeare.]

Why … not add a supplement to history? calling it, of course, by some inconspicuous name so that women might figure there without impropriety?

Virginia Woolf1


(The entire section is 6275 words.)