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How are the quoted lines from Alexander Pope's The Dunciad a parody of John Milton's account of Creation in Paradise Lost?

Here she [Dulness] beholds the Chaos dark and deep,
Where nameless Somethings in their causes sleep,
Till genial Jacob, or a warm Third day,
Call forth each mass, a Poem, or a Play:
How hints, like spawn, scarce quick in embryo lie,
How newborn nonsense first is taught to cry,
Maggots half formed in rhyme exactly meet,
And learn to crawl upon poetic feet.

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Pope describes the creation account of somewhat rudimentary, vile, and base literary works by the goddess "Dulness" to stupefy England. In this passage, it is a clear parallel to Milton's creation account in Paradise Lost, which is directly derived from the biblical book of Genesis.

The Genesis account says the "Earth was without form and void," which is essentially a dark and chaotic state such as is described being held by Dulness. Additionally, the Genesis account has each act of creation happening on a separate day, which parallels Pope's description of a "Warm Third Day" on which these maggot-like creatures arose.

As Milton's work follows the biblical narrative, it discusses the creation of animals and plants from the void Earth and is parodied here, where Dulness creates wicked rhymes and idiotic poems and plays from the chaos. The narrative here is clearly a parody, intended to mock Milton's "epic poem" idea when writing Paradise Lost.

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In The Dunciad, Pope savagely satirizes the hack writers and critics of his day, who were associated with the London publishing center Grub Street. He believed they were degrading and corrupting literature, selling themselves to write anything that would pay. His long poem attacks these writers by satirically praising a goddess called Dulness who reigns over their bad taste, decadence, and stupidity.

In the passage quoted above, Dulness is shown creating bad writers from the void or chaos. Pope characterizes such writers as "nameless Somethings"—the vague word "Somethings" mocks the sloppy imprecision of these hack writers. Their creative writings—poems and plays—is called "nonsense" and their rhyme is likened to "maggots."

We can see how Pope borrows from and parodies Book VII of Paradise Lost, in which the angel Raphael explains to Adam how God created the universe, and more specifically humans. Raphael envisions telling of this creation as a way to "magnifie [God's] his works." Unlike the repulsive creations of Dulness, God's creation is glorious. Having expelled Satan and his minions from heaven, God decided

Good out of evil to create, in stead
Of Spirits malign a better Race to bring
... and thence diffuse [190]
His good to Worlds and Ages infinite.

The good of God's creation is parodied in the dull spawn of Dulness.

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The lines from The Dunciad by Alexander Pope quoted in your question are based on John Milton's Paradise Lost Book VII Lines 85 - 110, which themselves are a summary of the account of Creation found at the beginning of the Biblical book of Genesis. 

The first point of comparison is that Milton describes the universe as originally Choas, but gradually becoming organized by God's will, with celestial objects gradually emerging from the Chaos. What is being parodied in the phrase "nameless Somethings" is Milton's elaborate Latinate vocabulary and extended descriptions compared to the simplicity, concreteness, and majesty of the Biblical original:

2: And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. 
3: And God said, Let there be light: and there was light. 

The second parodic aspect is that while both the Bible and Milton describe God creating plants, humanity, and all the creatures of the land and sea, Pope describes the creation of maggot-like literary works. This is a typical stylistic device used by Pope to create mock-epic parody by using the style, diction, and form of a heroic epic to describe something trivial. 

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