During the early days of Grub Street, a turbulent age of satire, party journalism, and personal attack, few writers had as many literary enemies as Alexander Pope. But amid this hurly-burly of hacks, critics, scholars, and publishers, the waspish, sickly Pope easily held his own, giving point to his pronouncement that “the pen is mightier than the sword.” Like Dante in THE INFERNO, Pope salted away his enemies in THE DUNCIAD.
Two versions of THE DUNCIAD were required: a 1728 three-book version featuring Lewis Theobald Pope’s rival editor of Shakespeare, and a 1743 four-book version with Colley Cibber--actor, playwright, theater manager, and poet laureate--as the hero who epitomizes mediocrity and bad taste. Both versions enroll dozens of other names in the catalog of dunces.
Written in heroic couplets (rhyming iambic pentameter) and recalling the epics of Homer, Virgil, and Milton, THE DUNCIAD moves from a specific to a general perspective. In book 1, Dullness recruits the hero out of Grub Street and crowns him king of her empire. Book 2 provides a pause in the main action as the legions of Dullness celebrate their epic games, including such appropriate competitions as urinating, racing through filth, diving into sewer ditches, and staying awake while dull literature is read (all are lulled to sleep, including the readers).
In Book 3, the hero in dreams visits the underworld, where he meets the souls of past dunces, who...
(The entire section is 500 words.)