The Boarding House: Summary and Analysis
Mrs. Mooney: owner of the boarding house
Polly Mooney: her 19-year-old daughter
Bob Doran: boarder with whom Polly has become romantically involved
Polly Mooney, 19, lives in her mother’s boarding house with her brother and the young male boarders and tourists who make up its inhabitants. Polly is pretty, and she receives flirtatious advances from many of the boarders and reciprocates, but Mrs. Mooney is frustrated by her daughter’s lack of progress in finding a husband. When Polly begins to have a not-too-subtle affair with one of the boarders, Bob Doran, Mrs. Mooney stays surprisingly quiet and her daughter wonders if she’s acquiescent. In fact, Mrs. Mooney waits until the relationship between them is quite advanced before she decides to talk—first to Polly and then to the young man.
When Polly turns to Bob, she confesses that she’s frightened of her mother’s suspicions and the consequences of their situation; Bob reassures her limply. Soon thereafter, Mrs. Mooney asks to speak with Bob in private. Although he understands the content of their meeting and feels full of dread, he complies.
Meanwhile, Polly composes herself in her room and relaxes as she thinks of her liaisons with Bob. When her mother calls her from below, she tells Polly to come downstairs because Bob wants to speak with her. The reader never learns the exact content of either of the two conversations.
The overt theme of prostitution in “The Two Gallants” is played out more subtly in Mrs. Mooney’s boarding house. Joyce begins the story with a synopsis of Mrs. Mooney’s dreadful marriage: struggling to succeed as a woman in a patriarchal society, she married Mr. Mooney and suffered through his alcoholism and ruinous business practices. Owing to Mrs. Mooney’s common sense and ferocious determination, she succeeds in spite of her husband, running a boarding house and supporting her family. Thus, it’s highly ironic that Mrs. Mooney—having been almost destroyed in a wretched marriage—is so eager to enter her daughter, Polly, into a union that is flawed at best and disastrous at worst.
Having looked over the many boarders with whom Polly has flirted, her mother decides that Bob Doran is the most likely marital prospect among them. Therefore, even when Polly and Bob’s liaison becomes obvious in the house, Mrs. Mooney pretends not to notice. If she noticed, her obligation as a Christian and mother would force her to demand its end. If she doesn’t recognize the affair, she can let it progress so far that Doran will have no option but to marry Polly when confronted. In effect, Mrs. Mooney allows Polly to sell herself to Doran in exchange for the marital obligation he will ultimately owe her. The arrangement is a manipulative and exploitive one, highlighting Mrs. Mooney’s nickname among the boarders as “The Madam,” since she’s prostituting her daughter.
As far as Polly’s culpability in the arrangement is concerned, she senses her mother’s plan and cooperates tacitly with it. The song she sings (“I’m a naughty girl…/You know I am”) indicates her character, and her brazen seduction of the meek Bob Doran shows the reader that Polly has inherited her mother’s determination. With Bob, however, Polly behaves timidly and remorsefully; she leans on him to assume the burden of guilt and fear, and Bob ambivalently complies. The reader should rightfully suspect Polly’s meekness, since she has already identified herself as a “naughty girl,” and the author describes her as resembling “a little perverse madonna.” This contrasts ludicrously with the hapless and limp image she presents to Doran; the reader can easily see the disingenuousness of this guise....
(The entire section is 948 words.)