Durtal’s apartment. Set of rooms in a house on Paris’s rue du Regard; they contain the compact book-lined study where the scholar Durtal works on his dissertation on Gilles de Rais, a French marshal briefly associated with Joan of Arc. The dust is frequently disturbed and redistributed, but never diminished, by a surly concierge. Over the mantelpiece, in place of a mirror, is an old Dutch painting whose principal figure is a kneeling hermit with a cardinal’s hat and cloak set beside him. The bedroom is sparsely furnished but decorated with a photograph of a Sandro Botticelli Venus and a print of Peter Breughel’s representation of “The Wise and Foolish Virgins.” All this is symbolic, as is only to be expected from the author, Joris-Karl Huysmans, a central figure of the French Symbolist movement
Chantelouve’s house. Residence on the rue de Bagneaux of a Roman Catholic historian who supplies Durtal with information—and whose wife, Hyacinthe, becomes Durtal’s mistress and guide to the occult underworld of Paris. Chantelouve hosts regular “salons” in his drawing room, where disputatious visitors gather to discuss theological matters and the debased state of contemporary society. The house also has a well-stocked library, where more confidential discussions take place.
*Church of Saint-Sulpice
*Church of Saint-Sulpice (sah[n]-sewl-pees). One of the most famous churches in Paris, built by King Louis XIV. The church became notorious...
(The entire section is 642 words.)