Doris Lessing Criticism
Doris Lessing (1919–2013) stands as a towering figure in twentieth-century literature, known for her incisive exploration of social, political, and personal themes through a diverse array of literary forms. Born in Persia and raised in Southern Rhodesia, now Zimbabwe, Lessing's works capture the complex interplay between individual experiences and broader historical contexts. Her realist roots, evident in early collections like This Was the Old Chief's Country, focus on themes of alienation and the impact of apartheid, as noted by Jean Pickering. These stories, along with her other African narratives, juxtapose personal isolation with the lush, albeit fractured, African landscapes, highlighting colonialism's divisive effects.
Lessing's commitment to exploring individual and ideological dynamics is a hallmark of her work, even as she shifted focus across genres. Her "Jane Somers" novels and works like The Good Terrorist and The Fifth Child showcase her ability to intertwine personal narratives with societal critique, a strength noted by Anthony Sampson. Despite divergent opinions on her forays into science fiction, Lessing's exploration of consciousness and society's constraints in works such as Briefing For a Descent Into Hell maintains critical acclaim, as observed by Robert S. Ryf.
Her narrative versatility is further demonstrated in the "Canopus in Argos: Archives" series, where she blends science fiction with moral and existential inquiries, a transition discussed by Robert Alter. Lessing's ability to imbue her speculative works with profound insights into human nature and societal structures underscores her continued relevance, as Roberta Rubenstein notes her stories combine irony and psychological depth.
Lessing's distinctive voice also emerges in her autobiographical work, with Under My Skin offering a window into her formative years and linking personal history to her broader oeuvre, as observed by J.M. Coetzee. Her later novels, including The Sweetest Dream, continue to reflect her rich life experience and socio-political insights, analyzed by Jeff Zaleski.
Critics like Katherine Fishburn have highlighted Lessing's metafictional approach in her later speculative fiction, emphasizing her enduring engagement with political and ideological themes. Her exploration of human relationships, feminist themes, and societal critiques remains a testament to her literary prowess, with works like “To Room Nineteen” providing profound psychological insights, as examined by Janina Nordius and Virginia Tiger.
In summary, Doris Lessing's body of work, spanning realism to speculative fiction, vividly captures the nuances of human emotion and the complexities of societal structures, securing her place as a pivotal figure in modern literature. Her profound insights into race, gender, and ideology continue to resonate, offering rich material for literary criticism and reflection.
Contents
- Principal Works
- Lessing, Doris (Vol. 6)
- Lessing, Doris (Vol. 3)
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Lessing, Doris (Vol. 170)
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Review of African Laughter
(summary)
In the following review, Newson explores the parallels between African Laughter and Lessing's experiences in Africa. African Laughter is an alchemy of memoir, travelogue, revisionist history, and political treatise. While Lessing manages some of these elements better than others, the book is worth reading for its personal and global asides, wry wit, and autobiographical impulses. In sum, the work paints a portrait of a woman who desires to come to terms with “the web of sensations, memories, experience that binds” her to Zimbabwe.
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Objects of Eros
(summary)
In the following review, O'Faolain assesses the themes, motifs, and characterization in Love, Again.
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Venus Observed
(summary)
In the following review, Brandon focuses on the theatrical setting, style, and implications of the central theme of Love, Again. When Love, Again starts, this is still just a concept; by the end, the play is a success, but its creators have lost interest in it. The addictive group life of the theatre, vividly evoked, becomes the backdrop for the novel's own drama.
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Review of Love, Again
(summary)
In the following review, Bick assesses the sexual dimension of Love, Again. Lessing's latest novel deserves applause for its frank depiction of its older, female protagonist's resurgent sexuality, while individual passages must be questioned for prose as turgid as the title.
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Love, Again
(summary)
In the following review, Newson describes the plot and narrative elements of Love, Again. Doris Lessing's most recent novel, Love, Again, explores familial relationships, romantic love, loss, life in the theater, and human folly against the backdrop of the aging process. It is also a study of love and loving intertwined with reflections on the writer—her craft and detractors. Lessing's narrative is interspersed with dreams, correspondence, waking anguish, and interpretation of “ordinary” existence. In this work Lessing forges below surfaces, traveling to often uncomfortable venues. Still, the tapestry she weaves is intensely satisfying.
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Infectious Disease
(summary)
In the following review, Grossman examines the narrative structure of Love, Again. Doris Lessing has pursued her fictional explorations of sexual passion for a remarkable forty years and more, beginning with her “Martha Quest” novel sequence and the stories collected in The Habit of Loving (1957), and continuing into the present with Love, Again. Her theme now is the erotic vitality of a woman in her sixties, as a reality that defies all cultural bias against its acknowledgment. To acknowledge is one thing, however, to value the reality is another, and the words used to signal its emergence here—“a sweet insidious deceptiveness,” and “a poison”—sound a clear warning that trouble rather than fulfillment lies ahead.
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Literature Is News That Stays News
(summary)
In the following review, Hobbs evaluates the strengths and weaknesses of Love, Again. Doris Lessing, the noted British fiction writer best known for The Golden Notebook, has turned her attention to the unfamiliar subject of passion among the late middle-aged in Love, Again. Sarah, the central character of Lessing's first novel in seven years, is a 65-year-old widow with grown-up children. Her daily life revolves around her successful career as writer and administrator for an alternative London theater company called the Green Bird, which decides to produce a play based on the imaginary life of Julie Vairon, a recently rediscovered early feminist writer and composer who committed suicide in 1912. Not that she could be easily pigeonholed by contemporary feminists, since 'for some she is the archetypal female victim, while others identify with her independence.'
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Possessed by Love
(summary)
In the following review, Bell discerns a thematic departure in Love, Again from Lessing's typical treatment of love. The title refers to the heroine's reluctant re-experience of emotions she had thought to have put behind her, illustrating how Lessing's latest novel expresses the complexities of love and human experience.
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Wild, Heady Days
(summary)
In the following review, Sampson highlights the passion of Lessing's memories in Walking in the Shade.
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Doris Lessing and the Millennium
(summary)
In the following review, Miller and Showalter compare Walking in the Shade to Under My Skin, examining Lessing's literary achievements, particularly her contribution to feminist scholarship.
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The Unexamined Life
(summary)
In the following review, Powers refutes several widespread critical opinions of Walking in the Shade.
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Walking in the Shade: Volume Two of My Autobiography, 1949-1962
(summary)
In the following excerpt, Kalnins outlines the narrative structure of Walking in the Shade, briefly describing Lessing's career.
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Basic Human Instincts
(summary)
In the following review, Clark faults Lessing's characterization and prose style in Mara and Dann.
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Lessons in Survival
(summary)
In the following review, Chettle details the plot of Mara and Dann, with particular attention to Lessing's characterization of the protagonist within the context of feminist realism.
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An Interview with Doris Lessing
(summary)
In the following interview, Lessing shares her reflections on a range of topics including feminism, the transformative cultural shifts of the 1960s, the impact of fame, spiritual trends, and her evolving perspectives on privacy and mortality as the twentieth century draws to a close, while emphasizing the importance of adaptability and critical thinking.
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Review of Mara and Dann
(summary)
In the following review, Knapp focuses on the heroine's role in the narrative development of Mara and Dann.
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A Truly Beastly Hero
(summary)
In the following review, France highlights the fable-like characteristics of the plot of Ben, in the World, discussing the themes of parental love and societal acceptance in the context of Doris Lessing's cautionary tale about a violent, monstrous boy born into a seemingly happy family.
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Many Faiths, Many Stories
(summary)
In the following excerpt, Bush offers a description of the protagonist in Ben, in the World. In her new novel, Doris Lessing gives a fresh twist to an old idea: What would our world seem like to an alien who found himself among us, and how would we react to such a being? But Ben Lovat is not a creature from another planet; he is from our own distant past—a throwback to a species near the beginning of human evolution. Lessing's 1988 novel The Fifth Child was told from the point of view of Ben's family, especially his mother. It recounts the havoc the birth of this monstrous child caused in what had been a happy, old-fashioned family. Lessing's sequel continues the story from Ben's point of view.
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‘Transformed and Translated’: The Colonized Reader of Doris Lessing's Canopus in Argos Space Fiction
(summary)
In the following essay, Rowland contrasts Lessing's early political and artistic conceptions of “representation” with the thematic implications of Canopus in Argos.
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Flesh and Bones: Eating, Not Eating and the Social Vision of Doris Lessing
(summary)
In the following essay, Sceats examines the representation of eating and food in Lessing's writing, particularly in terms of their role in interpersonal or social relationships.
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The Alien
(summary)
In the following review, Simon contrasts the protagonist and themes of Ben, in the World with those of The Fifth Child.
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Not Responsible for Items Forgotten or Lost
(summary)
In the following excerpt, Davis admires the Realist tendencies of Ben, in the World, particularly in the descriptions of the material world.
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A Brave Journey in Thought
(summary)
In the following review, Hensher compares The Sweetest Dream to the style and narration of Lessing's previous works.
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Review of The Sweetest Dream
(summary)
In the following review, Merritt assesses The Sweetest Dream within the context of Lessing's later career.
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The Sweetest Dream
(summary)
In the following review, Zaleski observes parallels between Lessing's life experience and the narrative of The Sweetest Dream. The review discusses the portrayal of Frances Lennox, her family dynamics, and the socio-political backdrop of the 1960s and beyond, highlighting Lessing's rich life experience and the novel's conclusion.
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Review of African Laughter
(summary)
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Lessing, Doris (Vol. 10)
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Beyond Ideology: Doris Lessing's Mature Vision
(summary)
In the following essay, Robert S. Ryf argues that Doris Lessing's novel "Briefing For a Descent Into Hell" represents her most mature synthesis of themes from her previous works, emphasizing a movement beyond ideology towards experiential insights and the inadequacy of language, and highlighting the novel's exploration of consciousness, societal constraints, and personal transcendence.
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Intimations of the End
(summary)
In the following essay, Celia Betsky argues that Doris Lessing's The Memoirs of a Survivor presents a disillusioned and pessimistic vision of the future, critiquing societal issues such as women's roles, community, and class warfare, while ultimately suggesting that traditional progress may lead to a bleak, inevitable collapse.
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Mrs. Lessing's Vanishing Point
(summary)
In the following essay, Rene Kuhn Bryant critiques Doris Lessing's Memoirs of a Survivor, arguing that Lessing's neglect of traditional narrative elements results in a work that is more a nightmare than a revelation, indicating her shortcomings as a novelist despite her intellectual and philosophical insights.
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Roberta Rubenstein
(summary)
In the following essay, Roberta Rubenstein discusses Doris Lessing's "Stories" as emblematic of her core themes, highlighting the author's ironic and psychologically nuanced portrayal of human relationships, rites of passage, and the inevitable disillusionment of emotional experience through an understated, yet profoundly impactful narrative style.
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Equal to the World
(summary)
In the following essay, Diane Johnson argues that Doris Lessing should be recognized as a major realist writer of her time, lauding her for the timelessness, moral concerns, and narrative gifts evident in her fiction, which deftly explores complex human emotions with plain, yet compelling, prose.
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Beyond Ideology: Doris Lessing's Mature Vision
(summary)
- Lessing, Doris (Vol. 2)
- Lessing, Doris (Vol. 1)
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Lessing, Doris (Vol. 94)
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Wor(l)ds within Words: Doris Lessing as Meta-Fictionist and Meta-Physician
(summary)
In the following essay, Fishburn contends that Lessing's novels are highly complex, subtly self-conscious 'metafictions' and that 'Lessing has never truly been the realist (we) critics thought her … [she] only masqueraded as one.'
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'Taking Hands and Dancing in (Dis)Unity': Story to Storied in Doris Lessing's 'To Room Nineteen' and 'A Room'
(summary)
Tiger is a Canadian critic and educator. In the following essay, she focuses on Lessing's short stories 'To Room Nineteen' and 'A Room' in her discussion of the author's use of narrative voice and realistic literary techniques. Tiger also examines the ways in which these two stories relate to the novels Lessing constructed from them, The Summer Before the Dark and The Memoirs of a Survivor, respectively.
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London Calling
(summary)
In the following positive review of The Real Thing, Bemrose singles out "The Pit" as "the collection's finest story."
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The Art of Sympathy
(summary)
In the following largely positive review of African Laughter, he discusses some of the major themes of Lessing's work, namely her depiction of "the moral intricacy of human life."
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A Dog's Life
(summary)
In the following excerpt from a review in which she also discusses the books The Hidden Life of Dogs (1994) by Elizabeth Marshall Thomas and Cats: Ancient and Modern (1993) by Juliet Clutton-Brock, she examines the revised version of Particularly Cats … and Rufus, arguing that Lessing implicitly criticizes "many of those who study animal behavior [and] automatically treat anthropomorphism as a weakness that distinguishes the soft-headed and the simple-minded among humans."
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Our Mothers' Gardens: Doris Lessing's 'Among the Roses'
(summary)
In the following essay, Tyler examines Lessing's short story 'Among the Roses' from a feminist perspective, elucidating its mother-daughter theme in relation to the ancient Greek myth of Demeter and Persephone.
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Storytelling by Reluctant Extraction
(summary)
In the following review, he laments that 'Lessing proclaims but does not convey the wretchedness' of her early life in Under My Skin.
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She Had a Farm in Africa
(summary)
An English novelist and historian, Davidson is a prominent scholar in the field of African history. In the following review, he remarks favorably on Under My Skin.
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Reality's Chaos, Translated Into Art
(summary)
In the following review, Kakutani praises Lessing's evocation of Africa and colonial life but laments that the author's self-portrait is "an incomplete one, filled with rationalizations and evasions."
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Memoirs of a Survivor
(summary)
In the following review, she praises Under My Skin for its vivid and evocative depiction of Rhodesia and for the insights the book offers into the relationship between Lessing's life and fiction.
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The Heart of Me
(summary)
In the review below, he offers a summary of Lessing's life and career, remarking on Lessing's thoughts concerning feminism, politics, sexuality, and her mother.
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Looking Back at Lessing
(summary)
In the following review, he remarks on the theme and style of Under My Skin and summarizes Lessing's development throughout her literary career.
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Authority, Truthtelling, and Parody: Doris Lessing and 'the Book'
(summary)
In the following essay, Franko examines Lessing's ambivalent attitude toward canonical authorities by focusing on the ways in which the narrators of her novels and short stories—including The Golden Notebook, Briefing for a Descent into Hell, and 'The Sun Between Their Feet'—use and view language.
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Wor(l)ds within Words: Doris Lessing as Meta-Fictionist and Meta-Physician
(summary)
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Lessing, Doris (Vol. 15)
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Doris Lessing Out of Africa
(summary)
In the following essay, Ruth Perry examines Doris Lessing's blending of nineteenth-century realism with modern themes, her focus on the complexities of human experience beyond ideology, and her nuanced portrayal of women as independent individuals, while highlighting the limitations and sentimentalities of her earlier works.
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Fantastic Lessing
(summary)
In the following essay, George Stade critiques Doris Lessing's novel "Shikasta," noting a shift from her prior humanist realism to a more religious and theosophical perspective, which he argues diminishes the impact of her characters' fates, despite her sharp satire and storytelling prowess.
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Beyond the Catastrophe
(summary)
In the following essay, David Lodge critiques Doris Lessing's novel Shikasta for its reliance on familiar myths and ideologies, arguing that while it evokes a poignant critique of modern evils and a yearning for a lost golden age, it ultimately presents a sentimental and unresolved narrative regarding cosmic and moral responsibility.
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Lessing's Fantasia
(summary)
In the following essay, Roz Kaveney argues that Doris Lessing's novel Shikasta is an ambitious and impressive critique of Western civilization, combining elements of fantasy and social commentary with a "cold yet apocalyptic anger," despite occasional lapses into crankiness and excessive length.
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Paradise Regained
(summary)
In the following essay, Gore Vidal critiques Doris Lessing's Shikasta for its lack of character development and philosophical clarity, attributing these shortcomings to Lessing's focus on external cosmic influences rather than human free will, contrasting it with the more dynamic storytelling found in Milton's works.
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Synthetic Myth
(summary)
In the following essay, Martin Green explores Doris Lessing's novel Shikasta as a retelling of biblical and Middle Eastern religious narratives, highlighting its themes of civilization's end, mythic consciousness, and the religious truth in addressing public crises, while acknowledging its connections to Lessing's previous works.
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Books and the Arts: 'The Marriages between Zones Three, Four, and Five'
(summary)
In the following essay, LeGuin argues that Doris Lessing's "The Marriages Between Zones Three, Four, and Five" is a nuanced exploration of marriage, employing mythic and folktale elements while critiquing its Eurocentric metaphysical framework, ultimately portraying a human-centered drama rather than a divine narrative.
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A Visionary Romance
(summary)
In the following essay, Robert Towers examines Doris Lessing's "The Marriages Between Zones Three, Four, and Five," highlighting its use of allegory and its exploration of gender dynamics, while critiquing its lack of narrative engagement compared to "Shikasta," and praising Lessing's overall ambition and commitment as a novelist.
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Doris Lessing Out of Africa
(summary)
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Lessing, Doris (Vol. 22)
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New Short Stories: 'The Habit of Loving'
(summary)
In the following essay, Pamela Hansford Johnson praises Doris Lessing's collection "The Habit of Loving" for its demonstration of her literary prowess, noting her shift from politically driven narratives to stories deeply engaged with life and humanist themes, while retaining her core beliefs and expanding her narrative depth.
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Little England
(summary)
In the following essay, Keith Waterhouse critiques Doris Lessing's In Pursuit of the English for its misleading title, incongruent tone, and a collection of characters that, while colorful and credible individually, fail to cohere within the narrative's setting, ultimately rendering the work more as a novelist's notebook than a cohesive social observation.
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Short but Strong
(summary)
The critic evaluates Doris Lessing's collection A Man and Two Women as the work of an original and scrupulous artist, highlighting her intense imagination and concentration in storytelling, despite sometimes opting for seemingly unrewarding objectives, and describes her world as harsh, filled with loneliness, injustice, and futility.
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Weary Wives and Lovers
(summary)
In the following essay, James Gindin argues that Doris Lessing's collection A Man and Two Women effectively explores the complex dynamics of gender relationships, highlighting the challenges faced by contemporary women in balancing professional and domestic roles, while suggesting that Lessing's strength lies in her nuanced portrayal of these themes rather than her treatment of broader social issues.
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The Eternal Moment
(summary)
In the following essay, Edward Hickman Brown commends Doris Lessing's African Stories for their mature portrayal of human relationships and vivid depiction of African landscapes, highlighting her ability to convey profound truths with precision and her consistent narrative quality throughout her career.
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'African Stories'
(summary)
In the following essay, J. M. Edelstein argues that Doris Lessing's African Stories showcases her as a pivotal contemporary fiction writer, highlighting her ability to portray human experiences with depth and realism, while also addressing the broader existential themes and the harsh realities of life in Africa.
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The City and the Veld: The Fiction of Doris Lessing
(summary)
In the following essay, Mary Ann Singleton explores Doris Lessing's examination of humanity's potential for both destruction and unity, encapsulated in her motifs of the "cities" and "veld," and highlights Lessing's vision of art as a vehicle for societal change through an ideal City as a harmonious union of reason and myth.
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Doris Lessing's Use of Satire in 'The Summer before the Dark'
(summary)
In the following essay, Lorelei Cederstrom argues that Doris Lessing's "The Summer Before the Dark" employs satire to portray protagonist Kate Brown as a limited, average woman confronting societal stereotypes, ultimately critiquing the superficiality of conventional self-discovery and societal roles through ironic narrative techniques.
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From Motherhood to Prophesy: Doris Lessing
(summary)
In the following essay, Carol P. Christ explores Doris Lessing's The Children of Violence series, asserting that the narrative centers on Martha Quest's spiritual and self-discovery journey, highlighting the complexities of women's experiences, limitations in self-image, and the interplay between personal insight and broader societal challenges.
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Doris Lessing in the Visionary Mode
(summary)
In the following essay, Robert Alter discusses Doris Lessing's shift from traditional novels to the "Canopus in Argos: Archives" series, arguing that her use of "space fiction" blends fantasy and morality, often reminiscent of the "anatomy" genre, to present a visionary perspective on civilization and history.
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Spaced-Out
(summary)
In the following essay, Bel Mooney critiques Doris Lessing's The Sirian Experiments for its unconvincing protagonist and explores its role as an allegorical work that challenges readers to question appearances and ponder philosophical and sociological ideas, despite its flaws in character representation.
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The Damaged Planet
(summary)
In the following essay, Peter Kemp critiques Doris Lessing's use of science fiction in "The Sirian Experiments" as a didactic fable on themes of colonization and learning, noting the blend of imaginative and naive elements, and highlighting her approach to feminism and social criticism as both inventive and occasionally melodramatic.
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Close Encounters of Some Kind
(summary)
In the following essay, Sam Solecki critiques Doris Lessing's The Sirian Experiments for its undermined dramatic potential due to the use of an immortal protagonist, resulting in an undramatic narrative style and a reliance on extrahuman salvation that confounds audience expectations of Marxist themes.
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Books & Writers: 'The Sirian Experiments'
(summary)
In the following essay, Penelope Lively critiques Doris Lessing's novel "The Sirian Experiments" for its didactic tone and polemical use of fiction, while acknowledging Lessing's storytelling skill and the novel's speculative ambition regarding politics and human behavior.
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New Short Stories: 'The Habit of Loving'
(summary)
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Lessing, Doris (Short Story Criticism)
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Redeeming the Irrational: The Inexplicable Heroines of ‘A Sorrowful Woman’ and ‘To Room Nineteen.’
(summary)
In the following essay, Halisky finds parallels between the female protagonists in Gail Godwin's “A Sorrowful Woman” and Lessing's “To Room Nineteen.”
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‘Taking Hands and Dancing in (Dis)Unity’: Story to Storied in Doris Lessing's ‘To Room Nineteen’ and ‘A Room’
(summary)
In the following essay, Tiger considers the relationship between Lessing's short fiction and her longer works through a reading of two of her short stories: “To Room Nineteen” and “A Room.”
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The Grass Is Singing (1950): African Stories (1964)
(summary)
In the following essay, Pickering explores the related themes of the stories in African Stories and her novel The Grass Is Singing. The interrelatedness of her work, so evident later in her career, was apparent even at this early period. The relations between the individual and the collective, between black and white, between men and women, between the settler and the land, between role and identity, and between the Freudian “nightmare repetition” and the Jungian task of individuation are related themes appearing in both the novel and the stories.
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Doris Lessing's ‘One off the Short List’ and Leo Bellingham's ‘In for the Kill’
(summary)
In the following essay, Harvey disavows the influence of Lessing's “One off the Short List” on Leo Bellingham's “In for the Kill.”
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Mother-Daughter Passion and Rapture: The Demeter Myth in the Fiction of Virginia Woolf and Doris Lessing
(summary)
In the following essay, Tyler asserts that Virginia Woolf and Lessing use the Demeter myth in their fiction to subvert the traditional heterosexual romance plot.
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Fable Traditions in the Stories of Doris Lessing and Bessie Head
(summary)
In the following essay, Gohrbandt compares the use of fable elements in the African stories of Lessing and Bessie Head.
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Coming of Age in Zambesia
(summary)
In the following essay, Hotchkiss provides a stylistic and thematic analysis of Lessing's African stories.
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Lessing's ‘To Room Nineteen’
(summary)
In the following essay, Nordius regards T. S. Eliot's The Waste Land as an important subtext in “To Room Nineteen.”
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Redeeming the Irrational: The Inexplicable Heroines of ‘A Sorrowful Woman’ and ‘To Room Nineteen.’
(summary)
- Further Reading