Analysis

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Last Reviewed on June 19, 2019, by eNotes Editorial. Word Count: 398

Doña Bárbara is a 1929 fictional novel written by Venezuelan novelist and politician Rómulo Gallegos (Rómulo Ángel del Monte Carmelo Gallegos Freire). As it was written in the Criollismo movement (the Spanish regionalist literary movement), and portrays scenes, images, languages, landscapes, characters, and character’s mannerisms which are typical for Gallegos’ native country Venezuela (especially its rural environment), Doña Bárbara is considered a regionalist novel as well.

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An interesting element of the novel is the fact that it was rewritten and reedited several times. In the second edition of Doña Bárbara, published in 1930, Gallegos added five chapters and rearranged the order of the existing ones. In the years to come, he made several other changes to the book’s content and structure, until he was finally satisfied with the novel’s 1954 edition.

The story follows a well-educated lawyer named Santos Luzardo, who goes back to his home village in Apure to sell his father’s land. Upon arrival, he discovers that his land is ‘owned’ by a cunning, unscrupulous, capricious, and often violent woman named Doña Bárbara Guaimarán, who apparently flirts with the men and manipulates the people to gain power.

She is the polar opposite of Santos, and her character represents the wild and barbaric side of human nature, while Santos represents the good, civilized, and calm side. In other words, they represent the clash between barbarism and civilization, hence their names: Bárbara means ‘wild’ in Spanish, while Santos means ‘Saint’ or ‘light.’ Interestingly enough, Doña Bárbara falls in love with Santos, but fails to make him reciprocate her feelings, as he falls in love with the kind Marisela.

Gallegos managed to incorporate a plethora of socially relevant themes such as love, loyalty, kindness, manipulation, abuse, corruption, violence, fragility, and the complexity of human nature. However, because of his heavy criticism of the long dictatorship of the then-Venezuelan-‘ruler’ Juan Vicente Gómez, Gallegos was forced to flee his country and take refuge in Spain, where he continued to write.

Upon publication, Doña Bárbara gained worldwide critical acclaim, with critics and other authors branding it a Venezuelan masterpiece and calling it the most influential regionalist novel ever written in Latin American, and even World, literature. Thus, it received its first English translation in 1931 and gained several adaptations for film, television, and opera.

Places Discussed

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Last Updated on May 8, 2015, by eNotes Editorial. Word Count: 628

*Llano

*Llano (YAH-no). Great savanna plains region of central Venezuela that represents nature in its wild and unruly state. Although beautiful and powerful, and therefore much like Santos’s nemesis, Doña Bárbara, the plains resist the order and discipline of any civilizing force. Danger lurks in the muddy, alligator-filled quagmires that threaten to consume interlopers whole. Rómulo Gallegos provides a poetic description of the enormous prairie. This region, with its unbroken horizon, conveys a sense of solitude and loneliness.

Altamira

Altamira (ahl-tah-MEER-ah). Ranch on which Santos grows up and to which he returns after completing his university studies. Santos maintains an ambivalent relationship with his family estate. When he returns to Altamira, he finds it overgrown with neglect and thinks about selling it. Soon, however, he learns of Doña Bárbara’s underhanded schemes to cheat him out of his property, and decides to stay and put up a fight. Resolving to end the dispute by civilized means, he attempts to defend his claim legally, through the courts. Meanwhile, he struggles to tame the wild savanna, as well as stem Doña Bárbara’s greed. Eventually, he puts up...

(The entire section contains 1237 words.)

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