Discussion Topic
Symbolism of Macaroons and Dancing Costume in A Doll's House
Summary:
In Henrik Ibsen's A Doll's House, macaroons symbolize Nora's rebellion against her husband, Torvald, and patriarchal authority. Her secret consumption of these sweets reflects her independence and the deception she maintains to navigate her oppressive marriage. This act highlights her childlike defiance and the control Torvald exerts over her. Similarly, Nora's dancing costume underscores her superficial concerns and dependence on Torvald, illustrating the restrictive roles they play in their marriage.
What does Nora's constant craving for macaroons symbolize in "A Doll's House"?
For Nora, sneaking macaroons without Torvald knowing may represent deception on her part and temptation by offering them to others, almost like Eve offering Adam a bite of her apple.
I also tend to see this as a childish ploy to see what she can get away with right under Torvald's nose. This may be an example of deceit, but in some ways I think it is an immature game she plays in that Torvald treats her like a parent, rather than a husband.
The fact that Torvald monitors even what Nora eats shows the degree of his obsessive control. That she feels it necessary to pretend to follow his orders rather than standing up for herself shows how thoroughly he has intimidated her. For her to continue to eat what she wants, however, shows that she may be intimidated, but he hasn't broken her spirit entirely or destroyed her identity...
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entirely. Nora still owns enough of herself to eventually find her way back to independence and self-respect.
How do the macaroons and dancing costume in A Doll's House reveal character and explore the theme?
The macaroons are the first item that appears on stage and represent Nora's secretive, immature, and childish behavior. An adult woman, Nora would not have any issues eating what she wants, but seem like the macaroons serve as an agent of connection between her and her husband. Yet, we also notice that there is a certain deceit to it, as she hides them from her husband.When he reprimands her from eating the macaroons in hiding, we discover the roles each plays in their relationship, and the sham that they seem to have:
NORA: No; what makes you think that?
HELMER: Hasn't she paid a visit to the confectioner's?
NORA: No, I assure you, Torvald—
HELMER: Not been nibbling sweets?
NORA: No, certainly not.
HELMER: Not even taken a bite at a macaroon or two?
NORA: No, Torvald, I assure you really—
HELMER: There, there, of course I was only joking.
NORA:[going to the table on the right]. I should not think of going against your wishes.
The dancing costume is yet another dimension of Nora's childish, clueless, and
silly preocupation with things so superficial and not significant enough to
make a real difference in her life. It also is a symbol of the roles in the
mariage as well, and paints Nora in the most co-dependent and weak tone
yet.**At least, that is what she lets us know but- as readers- we know that
Nora merely uses this as a technique to attract attention and seek
acceptance.
Nora: You know I trust your taste more than anyone's. I'm so anxious to look really beautiful at the fancy dress ball. Torvald, couldn't you help me to decide what I shall go as, and what kind of costume I ought to wear?
Helmer: Aha! So little Miss Independent's in trouble and needs a man to rescue her, does she?
Nora: Yes, Torvald. I can't get anywhere without your help.
Helmer: Well, well, I'll give the matter thought. We'll find something.