One searches in vain to find much commentary on The Deserter. The lack of criticism may have something to do with the play’s length; drama critics tend to reserve their comments for longer plays. In fact, this may explain why there is very little criticism on Beim, in general, since the majority of Beim’s works are one- or two-act plays. Many writers tend to address specific topics or themes in their body of work. Beim is no different in that several of his works address the Jewish immigrant experience. However, this play, which concerns the execution of a Catholic soldier, is a departure from that theme. Despite this lack of commentary, the play did win first prize in the prestigious Samuel French competition (1978). Also, one can ascertain that the play has enjoyed a popular reception since its first performances in an off-off-Broadway production in 1978. As Beim notes in 1995 in the preface to his Six Award Winning Plays, ‘‘The Deserter continues to be produced around the country.’’